“Lie Low,” Royal Court
Faye is okay. Or, at least she says she’s okay. But is she really? And, if she really is okay,...
Read MorePosted by Aleks Sierz | 2nd Jun 2024 | London, Review, Theatre and Politics
Faye is okay. Or, at least she says she’s okay. But is she really? And, if she really is okay,...
Read MorePosted by Aleks Sierz | 5th Nov 2023 | London, Review, United Kingdom
We’ve all heard of the male gaze, but what about its subversion? Overturning masculine dominance...
Read MorePosted by Baharak Sahami | 3rd Apr 2020 | Iran, Review, Theatre and Politics
Launcher 5’s honest rendition of narrative and characters is its winning card, which drew an...
Read MorePosted by Kaggwa Andrew Mayiga | 3rd Aug 2019 | Review, Transmedia, Uganda
Silent Voices Uganda has for many years now outdone themselves while producing theatre. From a set...
Read MorePosted by Bryoni Trezise | 8th Jun 2019 | Australia, Review, Theatre and Gender
Suzie Miller’s one-woman play Prima Facie is an unsparing study of the Australian legal system’s...
Read MorePosted by Ryan Pepper | 26th Mar 2019 | Canada, Review
It isn’t easy to review a play like Behaviour, written by Ottawa playwright Darrah Teitel and...
Read MorePosted by Aida Rocci | 27th Feb 2019 | Immersive Theatre, London, Participatory Theatre, Review, United Kingdom
An empty room. A large table. 12 iPads, 12 note pads, and 12 name desk holders that designate “Juror” along with a number. That is the simple setting for The Justice Syndicate, a new piece by fanSHEN. This interactive play revolves around a jury deliberation on a high-profile sexual assault case.
Read MorePosted by Vikram Phukan | 10th Feb 2018 | Festivals, India, Review
Even when catapulted into public discourse in inglorious fashion, a la Aziz Ansari, our...
Read MorePosted by Vikram Phukan | 16th Jan 2018 | India, Review, Theatre and Gender
This week marks five years since the nationwide Nirbhaya protests sparked off in the country, with...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 



“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026 