“Lie Low,” Royal Court
Faye is okay. Or, at least she says she’s okay. But is she really? And, if she really is okay,...
Read MorePosted by Aleks Sierz | 2nd Jun 2024 | London, Review, Theatre and Politics
Faye is okay. Or, at least she says she’s okay. But is she really? And, if she really is okay,...
Read MorePosted by Aleks Sierz | 5th Nov 2023 | London, Review, United Kingdom
We’ve all heard of the male gaze, but what about its subversion? Overturning masculine dominance...
Read MorePosted by Baharak Sahami | 3rd Apr 2020 | Iran, Review, Theatre and Politics
Launcher 5’s honest rendition of narrative and characters is its winning card, which drew an...
Read MorePosted by Kaggwa Andrew Mayiga | 3rd Aug 2019 | Review, Transmedia, Uganda
Silent Voices Uganda has for many years now outdone themselves while producing theatre. From a set...
Read MorePosted by Bryoni Trezise | 8th Jun 2019 | Australia, Review, Theatre and Gender
Suzie Miller’s one-woman play Prima Facie is an unsparing study of the Australian legal system’s...
Read MorePosted by Ryan Pepper | 26th Mar 2019 | Canada, Review
It isn’t easy to review a play like Behaviour, written by Ottawa playwright Darrah Teitel and...
Read MorePosted by Aida Rocci | 27th Feb 2019 | Immersive Theatre, London, Participatory Theatre, Review, United Kingdom
An empty room. A large table. 12 iPads, 12 note pads, and 12 name desk holders that designate “Juror” along with a number. That is the simple setting for The Justice Syndicate, a new piece by fanSHEN. This interactive play revolves around a jury deliberation on a high-profile sexual assault case.
Read MorePosted by Vikram Phukan | 10th Feb 2018 | Festivals, India, Review
Even when catapulted into public discourse in inglorious fashion, a la Aziz Ansari, our...
Read MorePosted by Vikram Phukan | 16th Jan 2018 | India, Review, Theatre and Gender
This week marks five years since the nationwide Nirbhaya protests sparked off in the country, with...
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