If You See a Dragon Coming, You Pull a Sword: Interview with Robert Wilson
He supports the Freeszfe Association and condemns the curtailment of artistic freedom. We asked...
Read MorePosted by Panni Néder | 26th Sep 2021 | Festivals, Hungary, Interview, Theatre and Politics
He supports the Freeszfe Association and condemns the curtailment of artistic freedom. We asked...
Read MorePosted by Jack Wernick | 28th Jun 2019 | Adaptation, New York, Review, United States of America
A drag queen lipsynching into a retro mike in a tight spotlight is the opening image of 1001SUR,...
Read MorePosted by Eleanor Warr | 25th Feb 2019 | Essay, Theatre and Science, United Kingdom
The Mayor of London’s 2008 practical guide to “Green Theatre” reported that the total...
Read MorePosted by Corrie Tan | 31st Jan 2019 | Essay, Singapore
As part of the Asian Theatremakers series Liu Xiaoyi and I are arranging for a time and date to...
Read MorePosted by Cristina Modreanu | 14th May 2018 | Interview, New York, Romania, United States of America
Interview by Cristina Modreanu with the occasion of the first edition of Bonnie Marranca’s essays...
Read MorePosted by Yana Meerzon | 9th Jan 2018 | Italy, News
The 16th ceremony of the Europe Theatre Prize and the Europe Prize Theatrical Realities took place...
Read MorePosted by Oltița Cîntec | 11th Nov 2017 | Acting, Directing, Essay, Romania
Each year, the Romanian higher education system supplies, through its art universities with their...
Read MorePosted by Philippa Wehle | 26th Oct 2016 | Essay, Translation
Thinking about how to make supertitles more friendly, more accessible to an audience that is...
Read MorePosted by The Theatre Times | 2nd Oct 2016 | Directing, News, Theatre and Opera, United States of America
The Byrd Hoffman Water Mill Foundation, and its European partner, the Robert Wilson Stiftung, will...
Read MorePosted by Marina Shimadina | 10th Jul 2015 | Directing, Review, Russia
The world premiere of a groundbreaking new production by Robert Wilson took place at Moscow’s...
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