Tag: Perth Festival

“The Smallest Stage” is an Intricately-Crafted Play for Families about Incarceration – And The Power of Stories

Posted by Leah Mercer | 20th Mar 2022 | Australia, Devised Theatre, Festivals, Review

Review: The Smallest Stage, by Kim Crotty for Perth Festival A small, white rectangle taped onto...

Read More

A New Musical, “Panawathi Girl,” is a Fantasy of Australia’s Past — and a Critique of Australia’s Present

Posted by Jonathan W. Marshall | 18th Feb 2022 | Australia, Review, Theatre and Politics

Aboriginal and Torres Strait Islander readers are advised this article contains names of people...

Read More

Part Escape Room, Part Choose-Your-Own Adventure — The Whodunit Whistleblower has The Audience at its Heart

Posted by Leah Mercer | 17th Mar 2021 | Australia, Participatory Theatre, Review

Review: Whistleblower, directed by Arielle Gray, Wyatt Nixon-Lloyd, and Tim Watts. The Last Great...

Read More

Pining for St Kilda Instead of Moscow: “The Cherry Orchard” Grapples With Our Cultural Inheritance

Posted by Leah Mercer | 9th Mar 2021 | Adaptation, Australia, Review, Russian Theatre Abroad

Review: The Cherry Orchard, directed by Clare Watson. Black Swan State Theatre Company for the...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

From Richard To Richard: MITEM 2026 And a Europe in… by Emiliia Dementsova 14th April 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
GPS M S Biomechanics System Vs. Narcissism:… by Ivanka Apostolova Baskar 8th April 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Tim Crouch’s “The Tempest” at The Globe by Duška Radosavljević 1st April 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026
Romeo Castellucci “Believing In Masks” At Milan’s… by Margaret Rose 13th March 2026
“The Devil Wears Prada” and Other… by Lisa Monde 8th February 2026
New York City Fringe Begins April 1 by Marcina Zaccaria 25th March 2026
Everything In Programming Matters To Cultivate The… by Ivanka Apostolova Baskar 7th April 2026

Recent Posts

Bound To Start Again, Again, Again… 27th April 2026
The Wooster Group’s “Nayatt School Redux” at the Coronet Theatre: Made-Over Experimental Classic Marks A Great Comeback 25th April 2026
“Jen Xponential,” A Story Of Potential 24th April 2026
“Frankenstein (History Of Hate)” 23rd April 2026
“Art Of Andalucia:” Rain Outside, Fire Within. Daniel Martinez Flamenco Company at The Haymarket, Basingstoke, Hampshire. 22nd April 2026
“Handle With Care” At Milan’s FOG Festival 22nd April 2026
Developing Theatre And Performance Pedagogy Through Marae-based Wānanga In Aotearoa/New Zealand. Part II 22nd April 2026
Developing Theatre And Performance Pedagogy Through Marae-based Wānanga In Aotearoa/New Zealand. Part I 21st April 2026
A Successfully Funny Perspective On Life Aspirations In State Theatre Oldenburg’s Production Of “Bondy Beach” 15th April 2026
Chekhov’s “Uncle Vanja”, directed by Yana Ross at the Royal Theatre, Copenhagen 14th April 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest