Montreal Archives - The Theatre Times

Cambodia Is An Inspiration For The Healing Power Of Art After A Crisis

Posted by François Audet, Alexandre P. Bédard, and Caroline Coulombe | 10th Oct 2020 | Cambodia, Covid-19, Festivals

Even though history has seen different disasters and humanitarian crises, one fact remains: we try...

Presence Is The Lingua Franca

Posted by Ágnes Bakk | 15th Jul 2019 | Hungary, Interview, Theatre and AI, Transmedia

Chris Salter is an artist and theoretician based in Montreal, Canada. In his artistic work, he...

“Angélique” Suffers From Too Much Exposition And Not Enough Drama

Posted by Patrick Langston | 22nd Apr 2019 | Canada, Review

Life will be different this time,” says young, hopeful Marie-Joseph Angélique at the beginning of...

“Behaviour” Is Essential And Traumatic-Socially Conscious Theatre At Its Peak!

Posted by Ryan Pepper | 26th Mar 2019 | Canada, Review

It isn’t easy to review a play like Behaviour, written by Ottawa playwright Darrah Teitel and...

In The Post-Truth Era, Documentary Theatre Searches For Common Ground

Posted by Jenn Stephenson | 8th Jan 2019 | Canada, Documentary Theatre, Essay

With the onslaught of “alternative facts” or “fake news,” it can feel as though the ground has...

Review: “Other People’s Children” Cracks Open Postpartum Intimacy And Labor

Posted by Sarah J Culkin | 26th Dec 2018 | Canada, Review

Montreal, Québec Sarah J Culkin reviews Imago Theatre’s production of Other People’s Children by...

“Sound Of The Beast” Slams Brutality, Inequality, And Racism

Posted by Willow White | 8th Nov 2018 | Canada, Immersive Theatre, LGBTQ+ Theatre, Review

Willow White reviews Donna-Michelle St. Bernard’s one-woman show Sound Of The Beast, produced by...

Christine Rodriguez’s “The Autism Monologues”: Imperative Stories, But With Representation Issues

Posted by Kelann Currie-Williams | 19th Jul 2018 | Canada, Festivals, Review, Theatre and Disability

Christine Rodriguez’s The Autism Monologues opens with a monologue by a woman (Julie Barbeau),...

Silence And Violence In “4’33” In Baghdad” (Montreal Fringe)

Posted by Willow White | 8th Jul 2018 | Canada, Festivals, Review

Montreal, Québec Willow White reviews Thought Experiment Productions’ 4’33” In Baghdad in the...

How To Make Plays In Foreign Languages Available To All Or Is This A Pipe Dream?

Posted by Philippa Wehle | 5th Jul 2018 | Canada, Festivals, Review, Translation

I was sitting expectantly in a theatre in Montreal to see Tom Na Fazenda (Tom A La Ferme or Tom At...

“A Dyke’s Guide To Fair Play” Offers A Queer Response To #MeToo (Montreal Fringe)

Posted by Willow White | 29th Jun 2018 | Canada, Festivals, LGBTQ+ Theatre, Review, Transmedia

Montreal, Québec Willow Whitereviews Daughter Product’s production of A Dyke’s Guide To Fair...

Review: “The Hysteria Triptych” Offers Three Hinged-Together Looks At “Unhinged” Women

Posted by Willow White | 21st Jun 2018 | Canada, Review, Theatre and Gender

Montreal, Québec Willow White reviews Odd Stumble’s workshop presentation of Erin Lindsay’s new...

All Love for “Black Boys’” Black On Black Love

Posted by Willow White | 3rd Jun 2018 | Canada, LGBTQ+ Theatre, Review, Theatre and Gender

Montreal, Québec Willow Whitereviews Black Boys, Saga Collectif’s co-production with Buddies in...

“Sal Capone: The Lamentable Tragedy Of…”: Docudrama Musical for Black Lives Matter

Posted by Alvina Ruprecht | 24th Apr 2018 | Canada, Musical Theatre, Review, Theatre and Politics

The Beginning Of A Most Important Dialogue Initiated By This striking and moving staging of rage!...

Review: A Peek Inside Wig in a Box’s New Work-in-Progress

Posted by Willow White | 12th Sep 2017 | Canada, Theatre and Gender

Montreal, Québec Willow White attends a workshop performance of The Gentle Art of Punishment and...

Review of Sansluxe Dance Performance

Posted by Brendan Irish | 30th Jun 2017 | Canada, Theatre and Dance

Sansluxe, meaning “without luxury” in French, is a collaborative space that Montreal dancers in the city’s renowned gay village can use for the small fee of $40.00 per year. In February, dancers from the Sansluxe collective...

Orange Noyées’s “8” Addresses Pressing Issues and Fears of Today

Posted by Yana Meerzon | 13th Feb 2017 | Canada, Theatre and Politics

On November 8, 2016, America elected its 45thPresident, Donald Trump, whose political forays,...

Tag: Montreal

Cambodia Is An Inspiration For The Healing Power Of Art After A Crisis

Presence Is The Lingua Franca

“Angélique” Suffers From Too Much Exposition And Not Enough Drama

“Behaviour” Is Essential And Traumatic-Socially Conscious Theatre At Its Peak!

In The Post-Truth Era, Documentary Theatre Searches For Common Ground

Review: “Other People’s Children” Cracks Open Postpartum Intimacy And Labor

“Sound Of The Beast” Slams Brutality, Inequality, And Racism

Christine Rodriguez’s “The Autism Monologues”: Imperative Stories, But With Representation Issues

Silence And Violence In “4’33” In Baghdad” (Montreal Fringe)

How To Make Plays In Foreign Languages Available To All Or Is This A Pipe Dream?

Review: “The Hysteria Triptych” Offers Three Hinged-Together Looks At “Unhinged” Women

All Love for “Black Boys’” Black On Black Love

“Sal Capone: The Lamentable Tragedy Of…”: Docudrama Musical for Black Lives Matter

Review: A Peek Inside Wig in a Box’s New Work-in-Progress

Review of Sansluxe Dance Performance

Orange Noyées’s “8” Addresses Pressing Issues and Fears of Today

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