“Blood Knot,” A 60-Year-Old Message
Blood Knot, by legendary South African playwright Athol Fugard, which ran at the Market Theatre in...
Read MorePosted by Tonderai Chiyindiko | 19th Jan 2022 | Review, South Africa, Theatre and Politics
Blood Knot, by legendary South African playwright Athol Fugard, which ran at the Market Theatre in...
Read MorePosted by Tonderai Chiyindiko | 1st Oct 2021 | Review, South Africa, Theatre and Gender
In a normal country, plays like Text Me When You Arrive, which has just ended a short run at the...
Read MorePosted by Tonderai Chiyindiko | 9th May 2021 | Review, South Africa, Theatre and Politics, United States of America
Performed as part of the Market Theatre’s annual Black History Month Celebrations, which have been...
Read MorePosted by Tonderai Chiyindiko | 29th Mar 2021 | Review, South Africa
Xova, the predominantly isiXhosa-language production which has just finished a sold-out run at the...
Read MorePosted by Tonderai Chiyindiko | 22nd Dec 2020 | Devised Theatre, Review, South Africa
Kwasha! Theatre Company’s Peeling Shadows, which has just ended a limited run at the Market...
Read MorePosted by Tonderai Chiyindiko | 19th Apr 2020 | News, South Africa, Theatre and Politics
Paradise Blue is perhaps the more famous in the trilogy of plays called The Detroit Project...
Read MorePosted by Tonderai Chiyindiko | 11th Dec 2019 | Adaptation, Review, South Africa
Rhinoceros, the official production commemorating the Market Theatre Lab’s 30th-anniversary...
Read MorePosted by Tonderai Chiyindiko | 6th Oct 2019 | LGBTQ+ Theatre, Review, South Africa
No Easter Sunday for Queers, which just completed a hugely successful run at the Market Theatre in...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
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