Tag: LGBT

“Border” And “Sheol/שאול” – Wachowicz/Fret Studio At Edinburgh Festival Fringe 2024

Posted by Klaudia Święcicka (Klaudiusz Święcicki) | 10th Oct 2024 | Edinburgh 2024, Poland, Review, United Kingdom

At this year’s Edinburgh Festival in the Grotowski Institute Residence Cube at Fringe 2024...

Read More

“Sex Magick”: This Gender-Bending, Time-Traveling Play Invites You to Detangle Love and Sex

Posted by Aisha Malik | 20th Mar 2023 | Australia, Review, Theatre and Gender

Boy meets girl. Boy falls in love with girl and follows her to India. Boy has a transformative...

Read More

An “Extraordinary Collaboration” — “Watershed: The Death of Dr. Duncan” is a Sensational and Important Work

Posted by William Peterson | 5th Apr 2022 | Australia, LGBTQ+ Theatre, Musical Theatre, Review

Review: Watershed: The Death of Dr. Duncan, directed by Neil Armfield for the Adelaide Festival....

Read More

“Garry” at The White Bear Theatre

Posted by Laura Kressly | 3rd Jul 2019 | The Play's The Thing UK

In the programme notes, director Graham Watts states, “there are hundreds of astonishing plays...

Read More

“La Reprise”: Startling Theatre And A Call To The Dead To Speak

Posted by Julian Meyrick | 29th Mar 2019 | Australia, Festivals, LGBTQ+ Theatre, Review, Switzerland

Review: La Reprise: Histoire(s) du théâtre, Adelaide Festival By chance, I happened to overhear a...

Read More

The State Of Artistic Freedom 2018

Posted by Freemuse | 3rd Aug 2018 | News, Theatre and Politics

In a first-of-its-kind report assessing the global state of artistic freedom, Freemuse warns of...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Santiago’s Teatro a Mil 2026: theatre, democracy and… by Maria Delgado 4th February 2026
NYC’s Under The Radar Festival Uses Lessons From The… by Victoria Zavyalova 9th February 2026
Raising Fists and Sharing Bread: Tiziano Cruz’s… by Yizhou Zhang 5th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
Sharing Crafts, Or Laboratory Space by Kiki Selioni 12th January 2026
In Oldenburg’s “The Tempest,” Trusting… by Daniel Meyer-Dinkgräfe 6th February 2026
The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025
Martin Crimp’s Version Of “The Seagull”… by Daniel Meyer-Dinkgräfe 26th January 2026
Edinburgh Festival Fringe 2025: Provisional Futures… by Duška Radosavljević 25th August 2025
Writing Across Taiwan and Macau: An Interview with… by Kuan-Ting Lin 6th January 2026

Recent Posts

The Trans Excellence of Faggotica 13th February 2026
“Between.Europe: Theatre In Romania.” Conversations And Visual Theatrical Exchanges Between Romania And Poland 10th February 2026
NYC’s Under The Radar Festival Uses Lessons From The Past To Shape The Future 9th February 2026
Frantic Assembly’s “Lost Atoms” at the Lyric Hammersmith: 30th Anniversary Show Is About Love But Its Story Is Predictable And Bland 9th February 2026
“The Devil Wears Prada” and Other Musicals by Sir Elton John. 8th February 2026
The “Screen / Stage” Programme At The Between.Pomiędzy Festival 2025 6th February 2026
In Oldenburg’s “The Tempest,” Trusting The Text Pays Off 6th February 2026
Enzo Moscato. “I Can’t Tell The Story Of My Life” (“Non Posso Narrare La Mia Vita”) 6th February 2026
Raising Fists and Sharing Bread: Tiziano Cruz’s “Wayqeycuna” (Argentina) 5th February 2026
Bad Data 4th February 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest