Keiko Miyata To Mark Departure From The New National Theatre, Tokyo, With Piece By Up-And-Coming Playwright
After eight years as artistic director for drama at the New National Theatre, Tokyo, Keiko Miyata,...
Read MorePosted by Nobuko Tanaka | 11th Jul 2018 | Directing, Japan, News, Playwriting
After eight years as artistic director for drama at the New National Theatre, Tokyo, Keiko Miyata,...
Read MorePosted by Martha Steketee | 12th May 2018 | Adaptation, Chicago, Dramaturgy, Interview, Theatre and Politics, Translation, United States of America
Goodman’s Resident Dramaturg on how her work gives texture and specificity to a production....
Read MorePosted by The Theatre Times | 28th Apr 2018 | Festivals, Japan, News, Transcultural Collaborations
World Theatre Festival Shizuoka 2018 Shizuoka Performing Arts Center (SPAC) will hold its annual...
Read MorePosted by Anadolu Agency | 26th Mar 2018 | Directing, Interview, Turkey
Istanbul Metropolitan Municipality’s City Theaters recently staged Henrik Ibsen’s 1879...
Read MorePosted by John Smythe | 12th Nov 2017 | New Zealand, Review, Theatre and Gender
POTENTLY RELEVANT Warning: I’m about to give the (well-known) ending away because the play can’t...
Read MorePosted by Donald Brown | 20th Oct 2017 | Review, Translation, United States of America
Thanks to Trump’s designation of the press as “the enemy of the people,” the question of what...
Read MorePosted by Jonathan Kalb | 16th May 2017 | Adaptation, New York, Review, United States of America
A Doll’s House made Henrik Ibsen a household name in 1879. It ruffled feathers throughout the...
Read MorePosted by Aleks Sierz | 27th Jan 2017 | Adaptation, Review, United Kingdom
Theatre conventions are a funny thing. Nowadays, it’s actually quite difficult to see a modern...
Read MorePosted by Rebecca Monks | 14th Jan 2017 | News, United Kingdom
World-class theatre is becoming an ever growing presence in UK cinemas. Chains like Curzon, Vue...
Read MorePosted by Cristina Modreanu | 30th Oct 2016 | Adaptation, News, Romania, Theatre and Gender
Future is Feminine introduces American audiences to innovative Romanian women artists remixing...
Read MorePosted by Elisabeth Leinslie | 18th Oct 2016 | Essay, Norway
The Norwegian theatre landscape is vast and heterogeneous; as different as the cultures and the...
Read MorePosted by Magda Romanska | 2nd Oct 2012 | Review, Theatre and Disability, Theatre and Politics, United States of America
During the ten years of its run, when asked what I thought of Mabou Mines’s Dollhouse, I’ve always...
Read More