Branden Jacobs-Jenkins’s “Appropriate” at the Donmar Warehouse: Deconstructing the American Family Play
Playwright Branden Jacobs-Jenkins is one of America’s finest. In London, we are now catching up...
Read MorePosted by Aleks Sierz | 24th Aug 2019 | Review, United Kingdom, United States of America
Playwright Branden Jacobs-Jenkins is one of America’s finest. In London, we are now catching up...
Read MorePosted by Joe Szekeres | 19th Jun 2018 | Canada, Festivals, Review
Eugene O’Neill’s classic twentieth-century semi-autobiographical drama deals with the Tyrone...
Read MorePosted by L. A. Flammang | 5th Feb 2018 | Dramaturgy, Review, United States of America
On the first night of rehearsal in the Monte Cristo Cottage in New London, CT, Flock Theatre...
Read MorePosted by Jessica Rizzo | 2nd Nov 2017 | Adaptation, New York, Review, United States of America
After his one visit to the country in 1909, Sigmund Freud reportedly remarked to a friend that...
Read MorePosted by Jonathan Kalb | 30th Oct 2017 | Acting, Review, United States of America
The most interesting question about David Greenspan’s one-man, 6-hour performance of Eugene...
Read MorePosted by Jessica Rizzo | 3rd May 2017 | New York, Review, United States of America
Though regarded by many as the father of American drama, Eugene O’Neill correctly diagnosed...
Read MorePosted by Kathleen Dimmick | 13th Apr 2017 | New York, United States of America
1000 yellow seats, tier upon tier — a sea of bright yellow rising to the rafters: this is the...
Read MorePosted by Clement Lee | 12th Apr 2017 | Hong Kong
Eugene O’Neill’s Beyond the Horizon by Theatre Horizon is a haunting production that transcends O’Neill’s first full-length play into a magical experience.
Read MorePosted by Jonathan Kalb | 2nd Apr 2017 | New York, Review, United States of America
As I sat in my $95 seat applauding the elegant and very smart production of Eugene O’Neill’s The...
Read MorePosted by Julian Meyrick | 14th Apr 2015 | Dramaturgy, Essay, North America
This is a long-read essay, the second in a series on playwriting and drama by Julian Meyrick. Part...
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