The Body Tells the Story: Blessed Unrest’s “Touch”
The past year has, in many ways, turned a sharper lens towards our bodies, particularly our...
Read MorePosted by Emily Cordes | 4th Jun 2021 | New York, Review, Theatre and Dance, United States of America
The past year has, in many ways, turned a sharper lens towards our bodies, particularly our...
Read MorePosted by Kira Erwin | 2nd May 2020 | News, South Africa, Theatre and Science
The earth’s oceans are under grave threat. Scientists in many fields have pointed to the...
Read MorePosted by Stephen Chinna | 24th May 2019 | Australia, Review, Theatre and Politics
Review: Water, Black Swan, Perth. Water, written by Jane Bodie and directed by Emily McLean, was...
Read MorePosted by Soha Elsirgany | 23rd Apr 2019 | Egypt, Festivals, News
From Denmark to Cairo’s D-Caf Festival, Dust by Sew Flunk Fury Wit presents a blend of opera...
Read MorePosted by Marilena Borriello | 17th Jan 2019 | Immersive Theatre, Interview, London, United Kingdom
We all probably agree that the theatre is by nature “immersive” and that–since the...
Read MorePosted by Jack Wernick | 24th Feb 2018 | Immersive Theatre, New York, Review, Stage Combat, Theatre and Politics, United States of America
One of New York City’s most dynamic young theater companies makes a bold addition to its...
Read MorePosted by Aleks Sierz | 1st Mar 2017 | Immersive Theatre, London, Review, United Kingdom
One of the reasons that Philip Ridley is the crown prince of imaginative playwriting is that he...
Read MorePosted by Sam Solnick | 23rd Oct 2016 | Essay, United Kingdom
Oil, Ella Hickson’s new play at the Almeida, begins in a bitingly cold Cornwall in 1889 when a...
Read MorePosted by Lucy Rose Coren | 2nd Aug 2016 | Dramaturgy, Essay
The role of the dramaturg within text-based theatre is currently prescriptive and limiting. There...
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