Ebrahim Alkazi (1925-2020): A Lodestar In India’s Arts Firmament
Alkazi was not just the father of modern Indian theatre, but a pioneer who pushed the frontiers...
Read MorePosted by Gayatri Sinha | 11th Aug 2020 | Essay, India, Transcultural Collaborations
Alkazi was not just the father of modern Indian theatre, but a pioneer who pushed the frontiers...
Read MorePosted by Anuj Kumar | 12th Oct 2019 | India, Playwriting, Review
Ahead of the première of Dastaan-e-Ram, writer Danish Iqbal discusses the joys and challenges of...
Read MorePosted by Shrinkhla Sahai | 24th Sep 2019 | India, Interview
Grand sets, lavish costumes, technical extravaganza, celebrity actors, and pricey tickets —...
Read MorePosted by Prabalika M. Borah | 13th May 2019 | Adaptation, Directing, India, News
Director Tarique Hameed on why Dastaan Narration Form is the best way to narrate the story of Topi...
Read MorePosted by M. Dinesh Varma | 14th Jan 2019 | Festivals, India, News
A three-day fete of poetry readings, book launches, workshops, and music gets underway from...
Read MorePosted by Vikram Phukan | 19th Dec 2018 | Acting, India, Review, Theatre and Science
For some years now, Mumbai-based theatre practitioner Jyoti Dogra has been regaling audiences in...
Read MorePosted by Diwan Singh Bajeli | 10th Dec 2018 | India, Review, Theatre and Politics
To commemorate Mahatma Gandhi’s 150th birth anniversary, Urdu Academy, Delhi staged Mohan Se...
Read MorePosted by Sreevalsan Thiyyadi | 9th Oct 2018 | Acting, Essay, India
Tracing its profile over the last 25 years unveils interesting changes in India’s only ancient...
Read MorePosted by Vikram Phukan | 26th Sep 2018 | India, LGBTQ+ Theatre, Review, Theatre and Gender
The characteristic middle-of-the-road sensibility of Akvarious Productions has found an outlet in...
Read MorePosted by Vikram Phukan | 28th Jun 2018 | Festivals, India, News, Theatre for Young Audiences
Every Sunday this month, Andheri’s coziest tucked-away spaces—Harkat Studios—has been dedicated to...
Read MorePosted by Vikram Phukan | 12th Jun 2018 | India, LGBTQ+ Theatre, London, Review, United Kingdom
In his play, Contempt, queer activist and lawyer Danish Sheikh draws parallels (or contrasts)...
Read MorePosted by Namrata Chaturvedi | 8th Jul 2017 | Adaptation, India
Recently, Delhi hosted the dramatic production Ram ki Shakti Puja, by the Banaras-based theatre...
Read MorePosted by Diwan Singh Bajeli | 19th Dec 2016 | India, Review
K. Madavane has directed about 100 plays in English, Hindi, French, and German. His directorial...
Read More
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 
Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026 
“Is Love Energy Or Matter?” An Interview With Rok… by Ivanka Apostolova Baskar 11th March 2026
Picasso’s “Barber” At The Spanish… by Duncan Wheeler 24th February 2026
“Digital Access To The Performing Arts”… by The Theatre Times 7th March 2026