“Terrestrial,” A Tale Of Friendship, Loneliness, And Aliens In The Australian Desert
Fleur Kilpatrick’s Terrestrial, directed by Nescha Jelk for the State Theatre Company of South...
Read MorePosted by Maggie Ivanova | 29th May 2018 | Australia, Directing, Review
Fleur Kilpatrick’s Terrestrial, directed by Nescha Jelk for the State Theatre Company of South...
Read MorePosted by Lisa Harper Campbell | 29th Mar 2018 | Australia, Review, Theatre and Gender
A new play by award-winning playwright Patricia Cornelius tackles the prevalence of sexual...
Read MorePosted by Taylor L. Ciambra | 16th Feb 2018 | Dramaturgy, Interview, United States of America
When describing the role of a dramaturg Dr. Philippa Kelly says this: “I see a dramaturg’s shadow...
Read MorePosted by William Peterson | 9th Oct 2017 | Australia, Theatre and Politics
“We are our ancestors’ unfinished sentences, we are their wildest dreams and their most elaborate...
Read MorePosted by Sarah Balkin | 6th Jun 2017 | Adaptation, Australia, Melbourne, Theatre for Young Audiences
Retelling the Biblical Book of Exodus through the eyes of children The biblical Book of Exodus...
Read MorePosted by May Tran | 10th Apr 2017 | Australia, Musical Theatre, Theatre and Politics, Vietnam
Over the past year and a half, May Tran (writer, student and professional procrastinator of...
Read MorePosted by Alexandra Coghlan | 1st Aug 2016 | Australia, Interview, Theatre and Opera
“It is easy for opera to be hijacked by the taste police, especially when the taste police have...
Read MorePosted by Julian Meyrick and Elizabeth Schafer | 21st Oct 2015 | Australia, Directing, Essay
Old soldiers fade away. Old theatre directors disappear more quickly. And old female directors can...
Read MorePosted by Christine Lambrianidis | 18th Aug 2015 | Adaptation, Australia, Essay, Melbourne
When you hear the words Greek tragedy, you might think of white masks, or even the ongoing...
Read MorePosted by Julian Meyrick | 8th Apr 2015 | Australia, Essay, Playwriting
We all know whether a given play, film or TV drama “works” or not, but it’s often difficult to...
Read MorePosted by Julian Meyrick | 17th Feb 2015 | Australia, Essay, Management
Sociologist Max Weber once called politics “the slow boring of hard boards”. If he had been in the...
Read MorePosted by Alix Bromley | 21st Jan 2015 | Adaptation, Australia, Interview
This week, as part of Sydney Festival’s Bankstown: Live program, Michael Mohammed Ahmad will...
Read MorePosted by Jay Brinker | 9th Oct 2014 | Australia, Festivals, Review
I’ve often lamented that choosing to study the most complex organisms on Earth was the dumbest...
Read MorePosted by Julian Meyrick | 1st Oct 2014 | Dramaturgy, Essay, Theatre and Politics
Drama and its core principles are to be found in theatres while the real world goes on outside,...
Read MorePosted by Claire Hansen | 16th Jun 2014 | Australia, Review, Theatre and Politics
Bell Shakespeare’s new production of William Shakespeare’s Henry V–which opened in Canberra on...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 

Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026 

