Worldwide
Truth and Reconciliation in “Under the Shade of a Tree I Sat and Wept” – Kosovo
by Verity Healey | 2nd Jan 2026 | Kosovo, Review, South Africa
How do forgiveness and reconciliation projects help heal a country’s collective trauma and...
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Debating Identity: Is It Time to Rename Cairo’s Experimental Theater Festival?
by Ati Metwaly | 26th Sep 2025 | Egypt, Essay, Festivals
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Writing Across Taiwan and Macau: An Interview with Taiwanese Playwright Chiao-Jung Chen
by Kuan-Ting Lin | 6th Jan 2026 | Interview, Playwriting, Taiwan
It’s very hard to define Chiao-Jung Chen as one kind of artist, for she is someone who works...
Sharing Crafts, Or Laboratory Space
by Kiki Selioni | 12th Jan 2026 | Essay, Poland, Transcultural Collaborations
Encounters between artists and practitioners are invariably profound experiences, where knowledge...
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“With Ruby and I” – review – more McDonagh than Robinson
by Verity Healey | 3rd Jan 2026 | Review, United Kingdom
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Leading with Risk, Trust, and Intuition: An Exclusive Interview with Director Charles Newell on Berlin’s Rehearsal Room
by Susanna Sun | 7th Jan 2026 | Chicago, Directing, Interview, United States of America
A towering figure in Chicago theatre, Charles Newell—former Marilyn F. Vitale Artistic Director of...
“The Butterfly Who Flew Into The Rave”, Edinburgh Festival Fringe 2025
by Duška Radosavljević | 24th Aug 2025 | Edinburgh 2025, Festivals, New Zealand, United Kingdom
Oli Mathiesen’s dance piece The Butterfly Who Flew Into The Rave has been described by this...
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Bell Shakespeare’s New “King Lear” Understands The Joy Of A Good Tragedy
by Kirk Dodd | 20th Jul 2024 | Australia, Dramaturgy, Review, Sydney
Oscar Barney Finn and Paulo Brunetti Interview
by Jack Wernick | 20th Aug 2024 | Adaptation, Argentina, Interview
I had the opportunity to interview frequent collaborators, writer-director Oscar Barney Finn and...
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Most Popular Posts
Sharing Crafts, Or Laboratory Space by Kiki Selioni 12th January 2026
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