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Debating Identity: Is It Time to Rename Cairo’s Experimental Theater Festival?
The Cairo International Festival for Experimental Theater (CIFET) has long been a vital platform for the boundary-pushing theatrical voices in the Arab world, and beyond. Recently, debates have emerged over whether to keep “experimental” in its name, as the festival faces pressure to broaden its scope and attract wider audiences. The question now is how to balance honoring the festival’s experimental roots while evolving to meet the changing theatrical landscape of the 21st century.
International Project – Dramaturgy Lab: Exploring West Balkan Plays – “Big Deal” By Mia Efremova
Collective interview with Amy Sze (Theatre maker and arts producer, London, UK-Hong Kong), Mia...
Adaptations On The German Stage (1): “Sein Oder Nicht Sein” In Bremerhaven
Sein oder nicht sein is a play by Nick Whitby (b.1963), premiered on Broadway in 2008, and first...
The Queen of Versailles Musical or the Funeral of the “American dream.”
The Queen of Versailles. A New Musical will officially open on Broadway, at the St. James Theatre...
“The Butterfly Who Flew Into The Rave”, Edinburgh Festival Fringe 2025
Oli Mathiesen’s dance piece The Butterfly Who Flew Into The Rave has been described by this...
Oscar Barney Finn and Paulo Brunetti Interview
I had the opportunity to interview frequent collaborators, writer-director Oscar Barney Finn and...
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