Revisited 27 Years Later, “Weed” Plays as an Astute Critique of Neoliberal Economics
Revisited 27 years later, Weed plays as an astute critique of neo-liberal economics.
Read MorePosted by John Smythe | 18th Jul 2017 | New Zealand, Theatre and Politics
Revisited 27 years later, Weed plays as an astute critique of neo-liberal economics.
Read MorePosted by Terry MacTavish | 15th Jul 2017 | New Zealand
Yoicks and tally-ho, what a fabulous, breathtaking ride! The initial fun of this exuberantly, almost ludicrously joyful production is that you feel as if you have arrived at the tail end of a fantastic party: everything topsy-turvy, room a mess, bottles emptied, chaps sleeping it off minus their trousers; but your disappointment is quickly alleviated […]
Read MorePosted by John Smythe | 30th Apr 2017 | New Zealand, Puppetry
If there is such a thing as typical Circa Theatre fare, Hand to God is certainly not it, yet the...
Read MorePosted by Leigh Sykes | 5th Apr 2017 | Adaptation, New Zealand
The concepts of the self and the troll are at the heart of this adaptation by Eli Kent, alongside an investigation of the nature of theatre itself. This is a resolutely post-modern, meta-theatrical play that tackles themes that resonate powerfully with the currently very prevalent culture of narcissism and self-interest.
Read MorePosted by John Smythe | 24th Mar 2017 | New Zealand, Theatre and Politics
“Afghanistan is exactly like Gallipoli!” shouts Ben, well into the action of Anzac Eve. “All the...
Read MorePosted by David O'Donnell | 24th Feb 2017 | Design, Interview, New Zealand
The light fades to a darkness more intense than a starless night on a country road. As the eyes...
Read MorePosted by John Smythe | 7th Feb 2017 | New Zealand
When I reviewed the development season of The Ragged – the first play in what has evolved into THE...
Read MorePosted by Dione Joseph | 23rd Jan 2017 | Dramaturgy, Essay, New Zealand
This is Part II of the series on dramaturgy in New Zealand. For Part I, click here. Dramaturgy is...
Read MorePosted by Dione Joseph | 17th Jan 2017 | Dramaturgy, Essay, New Zealand, Participatory Theatre
Playwright and dramaturge Gary Henderson points out that classic rugby analogies, although...
Read MorePosted by John Smythe | 30th Nov 2016 | New Zealand, Review, Theatre and Politics
Timely, relevant, engaging, entertaining and thought-provoking “You wonder if it’ll ever change,...
Read MorePosted by Hannah Banks | 16th Nov 2016 | Essay, New Zealand, Theatre and Gender
On the 19th September 2016, the 123rd anniversary of women gaining the right to vote in New...
Read MorePosted by John Smythe | 7th Nov 2016 | Devised Theatre, New Zealand, Review
Adapted by The Playground Collective From the graphic novel by Nick Hayes Based on the epic poem...
Read MorePosted by Lisa Warrington | 4th Nov 2016 | New Zealand, News
Theatre Aotearoa is an archive of stage productions in Aotearoa/New Zealand. The project was...
Read MorePosted by David O'Donnell | 2nd Nov 2016 | New Zealand, News
Two leading Samoan theatre practitioners have won 2016 Senior Pasifika Artist Awards from Creative...
Read MorePosted by John Smythe | 1st Nov 2016 | New Zealand, Review, Theatre and Politics
Unnervingly astute political satire When The President opened in Hamilton then Palmerston North...
Read MorePosted by David O'Donnell | 20th Oct 2016 | New Zealand, Review
Environmental and economic concerns are at the heart of New Zealand playwright Dave Armstrong’s...
Read MorePosted by Harry Ricketts | 12th Feb 2014 | New Zealand, Review
Historically, geographically, culturally – there are many points of comparison between Australia...
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