“Chalk Lines” by Chalk Repertory Theatre – An Immersive, Virtual, Audio Play Tour
Since January 2009, Chalk Repertory Theatre has been crafting site-specific theatre in Los...
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United States of America
Cry Havoc Theater Company Lets Slip the Dogs of War
In the midst of the vibrant Dallas theatre scene, there lies a company of prize-winning political...
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Designing for Tuacahn Amphitheater (A Three Part Series): Part Three – An Interview With Lighting Designer Cory Pattak
This is PART 3 of the series. To read PART 1 and PART 2, click the links. I complete my three-part...
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The Universal Immigrant: “Ellis Island” by James Clements and Doireann Mac Mahon
The last several years in our shared history, particularly the rise of discriminatory legislation,...
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Designing for Tuacahn Amphitheater (A Three Part Series): Part Two – An Interview With Projection Designer Steven Royal
For Part 1 see here. “I think that’s sort of the line I’m always hovering around; Does it feel...
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All the TikTok’s a Digital Stage
In the chaotically queer third act of Fake Friends’ 2020 production of Circle Jerk, the...
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Designing for Tuacahn Amphitheater (A Three Part Series): Part One – An Interview With Set Designer Adam Koch
For Part 2 see here. Located in Southern Utah, the majestic Tuacahn Amphitheater has been the...
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Art Scene: “Archive: This Was The End” Taps Extrasensory Senses
Speaking to humanity across time and space, Archive: This Was the End is an interactive sculpture...
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Digital Sci-fi Opera “Red Giant”: An Opera Of Our Times
Red Giant, commissioned by Baltimore-based Indie Opera company, Rhymes with Opera, is a live,...
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Rabbits in the Circus of COVID Isolation: A Review of “White Rabbit Red Rabbit”
The play White Rabbit Red Rabbit is an experimental piece by the Iranian playwright Nassim...
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“The Brooklyn Job” Stole My Heart
With a themed cocktail box, a program that doubled as a coloring book, and incredibly performed...
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NEMPAC Opera Project’s “Juneteenth”: Opera in the Key of Freedom
After more than a year of American racial unrest since the high-profile deaths of George Floyd and...
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On the Basis of Sustainability: Artemisia Theatre’s “Goods”
“I meant to do something about it, but I didn’t.” So goes the refrain when we, as flawed human...
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The Body Tells the Story: Blessed Unrest’s “Touch”
The past year has, in many ways, turned a sharper lens towards our bodies, particularly our...
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“The Door You Never Saw Before: A Choosical Musical” at The Geffen
It’s been a decade of a year, and The Geffen Playhouse (or Geffen Stayhouse as they have been...
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Waking Up in the Morning, Thinking About “This American Wife”
“Waking up in the morning, thinking about so many things, I just wish things would get...
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Robbie McCauley, Groundbreaking Playwright and Performer Dies at 79
Robbie McCauley, a groundbreaking playwright and performer has died. She received an OBIE Award...
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Experimenting with Virtual Theatre: An Interview with Igor Golyak
Igor Golyak is the Artistic Director of Arlekin Players Theatre. Arlekin Players Theatre has...
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XR | AR | VR: CultureHub on La MaMa’s Coffeehouse Aesthetic, Immersive Art, and Tech-Integrated Theatre
Located in graffiti-laden downtown Manhattan where the East Village and NoHo meet at 47 Great...
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The Pandemic Made Their Women’s Suffrage Play Impossible. But the Show Went On — Virtually
Leaders of the women’s suffrage movement relied on public performance to promote their cause. They...
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