A Celebration of Wondering: “The Hang” is a Party You Won’t Want to Miss
Vibrant, thought-provoking, invigorating, and brimming with talent, “The Hang,” with book and...
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New York
“I Thought I Could Read God’s Mind”: Katrin Arefy’s “The Portrait of An Angel, A Lion, A Monster”
When reflecting on the experiences, and people, that have shaped us, certain individuals may...
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More Morisseau: “Skeleton Crew” by Dominique Morisseau
Skeleton Crew is Dominique Morisseau’s best play so far. It’s the most streamlined work in her...
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Artist Entrance: Kelly Copper
Every month, Etcetera gazes into the soul of a performing artist. We choose artistic interest over...
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Little Things We Do Together—Marianne Elliott’s “Company”
As most people reading this will already know, Company was first reworked for a female Bobbie...
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The Music of Words: The Metropolitan Opera’s “Eurydice”
If you’ve never seen an opera before, start here. If you’ve seen a ton of opera before, re-start...
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“By Heart”: Can One Poem Save the World?
“I have an aversion to ‘immersive theater,’” Tiago Rodrigues says at the beginning of By Heart. He...
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Whole New World: Indian-American Actors Proud in “Aladdin” Play
Diversity in film is important, but in animation, it carries an even heavier, different message....
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Midwest Melancholy: “Girl From the North Country” at the Belasco Theatre
People say that trains often make interesting settings for drama since you have people from...
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Tony Awards Return: “Moulin Rouge!”, “The Inheritance” Win Big
Recognizing excellence in live Broadway theater, the Tony Awards bestowed the jukebox adaptation...
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Sensation and Documentation: Jody Christopherson’s “Tussaud/Antoinette”
The name “Tussaud” has always been linked to sensationalism and popular culture: now synonymous...
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Met Opera Returns with History-making Debut by Terence Blanchard
The Metropolitan Opera, which was closed after the coronavirus broke out in New York in March...
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Lance Weiler on the Future of Storytelling and the Film “The Last Broadcast”
A connoisseur of new art forms and emergent technology, Lance Weiler is a highly sought-after...
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New Deal for Broadway: NYC Theater Luminaries Agree on Reforms
Following a summit of industry leaders organized by Black Theatre United earlier this year, a...
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The Barber of Seville
The production of The Barber of Seville by Teatro Nuovo overcame the restrictions of the covid-era...
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The Universal Immigrant: “Ellis Island” by James Clements and Doireann Mac Mahon
The last several years in our shared history, particularly the rise of discriminatory legislation,...
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Art Scene: “Archive: This Was The End” Taps Extrasensory Senses
Speaking to humanity across time and space, Archive: This Was the End is an interactive sculpture...
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“The Brooklyn Job” Stole My Heart
With a themed cocktail box, a program that doubled as a coloring book, and incredibly performed...
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The Body Tells the Story: Blessed Unrest’s “Touch”
The past year has, in many ways, turned a sharper lens towards our bodies, particularly our...
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XR | AR | VR: CultureHub on La MaMa’s Coffeehouse Aesthetic, Immersive Art, and Tech-Integrated Theatre
Located in graffiti-laden downtown Manhattan where the East Village and NoHo meet at 47 Great...
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