What Is The Shape, Color, And Sound Of Pain?
Conceived and directed by Rachel Bagshaw and written by Chris Thorpe, The Shape of the...
Read MorePosted by Colin Hambrook | 8th Mar 2018 | Review, Theatre and Disability, United Kingdom
Conceived and directed by Rachel Bagshaw and written by Chris Thorpe, The Shape of the...
Read MorePosted by Aleks Sierz | 7th Mar 2018 | London, Review, United Kingdom
Whatever the weather, this week is Frozen. On Broadway, the Disney musical of that name begins...
Read MorePosted by Dan Gillespie Sells | 4th Mar 2018 | LGBTQ+ Theatre, News, United Kingdom
February was the LGBT History Month UK. It’s 30 Years since the passing of Section 28, the...
Read MorePosted by Lucy Rouse | 4th Mar 2018 | Acting, News, Theatre and Age, United Kingdom
One of the things Salisbury Playhouse tries to do is provide opportunities for everyone in the...
Read MorePosted by Jonathan Meth | 1st Mar 2018 | Review, Theatre and Disability, United Kingdom
Ramps on the Moon’s adaptation of Pete Townsend’s 1969 concept album ‘Tommy’, toured the UK...
Read MorePosted by Rach Skyer | 27th Feb 2018 | LGBTQ+ Theatre, London, News, United Kingdom
A blog by Rach Skyer for UK Theatre to mark LGBT History Month. Producer and Actor Rach Skyer is a...
Read MorePosted by Aleks Sierz | 26th Feb 2018 | London, Playwriting, Review, United Kingdom
First the goats, and now the sheep—has this venue become an urban farm? Rural life, which was once...
Read MorePosted by Bernadette McNulty | 25th Feb 2018 | Acting, London, News, United Kingdom
Acting, as the cliché goes, is child’s play. All that dressing up and pretending to be someone...
Read MorePosted by Aleks Sierz | 25th Feb 2018 | London, Review, Theatre and Gender, United Kingdom
This is Carey Mulligan week. She appears, improbably enough, as a hard-nosed cop in David Hare’s...
Read MorePosted by Aleks Sierz | 25th Feb 2018 | London, Review, United Kingdom
Monologues are increasingly popular in contemporary British theatre. In an age of austerity, they...
Read MorePosted by Aleks Sierz | 24th Feb 2018 | Immersive Theatre, London, Review
“Two things only the people anxiously desire—bread and circuses,” said the Roman poet Juvenal. He...
Read MorePosted by Conrad Landin | 24th Feb 2018 | London, News, Playwriting, United Kingdom
Alan Bennett’s next play will focus on an NHS hospital threatened with closure thanks to...
Read MorePosted by Aleks Sierz | 18th Feb 2018 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
Do boys never leave the playground? Just when I was reasonably sure that the crisis of masculinity...
Read MorePosted by Christopher Harris | 15th Feb 2018 | Adaptation, Review, Transcultural Collaborations, Translation, United Kingdom
The universality of Florian Zeller’s undiminished modern masterpiece The Father has ceased...
Read MorePosted by Lorena Meeser | 14th Feb 2018 | Immersive Theatre, Mexico, Playwriting, Review, Transmedia, United Kingdom
Inspired by the Edward Snowden case, James Graham’s Privacy shows us the consequences of...
Read MorePosted by Bryony Kimmings | 13th Feb 2018 | Musical Theatre, News, United Kingdom
I cannot believe it’s the first month of 2018 and I’m here in the last week of rehearsals for A...
Read MorePosted by Aleks Sierz | 12th Feb 2018 | London, Playwriting, Review, United Kingdom
It’s the 150th anniversary of the opening of the Finborough Arms pub, so Neil McPherson, artistic...
Read MorePosted by Aleks Sierz | 8th Feb 2018 | London, Review, United Kingdom
Playwright Alan Ayckbourn basically comes in two flavors: suburban comedies of embarrassment and...
Read MorePosted by Aleks Sierz | 3rd Feb 2018 | London, Review, United Kingdom
What a brilliant title! Yes, this one must be up there with the likes of Jim Cartwright’s I Licked...
Read MorePosted by Aida Rocci | 1st Feb 2018 | Dramaturgy, Immersive Theatre, London, Review, United Kingdom
Theatre as a concept is related to the idea of “play.” After all, scripts are plays...
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