“Cabaret” at the Playhouse Theatre
Willkommen, bienvenue, welcome! Come on in: we need, after all, some respite from a world in...
Read MorePosted by Mert Dilek | 13th Dec 2021 | London, Musical Theatre, Review, United Kingdom
Willkommen, bienvenue, welcome! Come on in: we need, after all, some respite from a world in...
Read MorePosted by Aleks Sierz | 16th Nov 2021 | London, Review, Theatre and Gender, United Kingdom
Hypocrisy. Is this the right word? I don’t mean the play, but the audience. Of course, in the...
Read MorePosted by Charis Ainslie | 14th Nov 2021 | Essay, London, Translation, United Kingdom
Wolves and a dark night. The perfect match. Those lines get me every time. From the first time I...
Read MorePosted by Mert Dilek | 28th Oct 2021 | Adaptation, London, Review, United Kingdom
What does it take to stretch Shakespeare’s shortest tragedy to a runtime of over three hours? Not,...
Read MorePosted by Aleks Sierz | 25th Oct 2021 | London, Playwriting, Review, Theatre and Religion, United Kingdom
Since 9/11 there has been considerable interest in staging stories about British Muslims, and the...
Read MorePosted by Aleks Sierz | 10th Oct 2021 | Adaptation, London, Playwriting, Review, United Kingdom
This is a labor of love. Hilary Mantel has adapted The Mirror and the Light, the third novel of...
Read MorePosted by Aleks Sierz | 17th Sep 2021 | London, Review, United Kingdom
For more than three decades, playwright Winsome Pinnock has been at the forefront of new writing,...
Read MorePosted by Duška Radosavljević | 8th Sep 2021 | London, Review, United Kingdom
Imagine you suffered terrible injustices that in your day and age were just the norm, that your...
Read MorePosted by Duška Radosavljević | 29th Aug 2021 | London, Musical Theatre, Review, United Kingdom
As its name suggests, The Song Project is more a collaborative experiment than a conventional...
Read MorePosted by Alexander Fatouros | 24th Aug 2021 | London, News, Theatre for Young Audiences, United Kingdom
Lionizing the vitalness of theatre and creativity, a star-studded virtual reading of a new...
Read MorePosted by Aleks Sierz | 18th Aug 2021 | London, Review, Theatre and Gender, United Kingdom
Before seeing this play, I decided to eat a steak. I thought I needed some extra strength. And it...
Read MorePosted by Duška Radosavljević | 5th Aug 2021 | London, Musical Theatre, Review, United Kingdom
I cannot imagine a better way to end one’s Covid-19 lockdown than to head to a Lucy McCormick show...
Read MorePosted by Aleks Sierz | 1st Jul 2021 | London, Review, United Kingdom
There’s something definitely inspiring about producer Sonia Friedman’s decision to reopen one of...
Read MorePosted by Aleks Sierz | 30th Jun 2021 | London, Review, Theatre and Dance, United Kingdom
With many theatres now reopening again, it is surely a good moment to celebrate all those venues...
Read MorePosted by Aleks Sierz | 1st Jun 2021 | London, Review, United Kingdom
I think I can safely say that polymath playwright Philip Ridley has had a good lockdown. In March...
Read MorePosted by Aleks Sierz | 18th May 2021 | London, Review, Theatre and Gender, United Kingdom
Uncertainty can sometimes provoke creativity. When the opening of Shereen Roushbaiani’s one-woman...
Read MorePosted by Aleks Sierz | 12th May 2021 | London, Review, Transmedia, United Kingdom
The camera can take you to places where the naked eye rarely goes. Like close. Very close. Close...
Read MorePosted by Alexander Fatouros | 3rd Apr 2021 | London, Management, News, Producing, United Kingdom
Trafalgar Entertainment’s Sir Howard Panter and Dame Rosemary Squire are leading theatre...
Read MorePosted by Aleks Sierz | 31st Dec 2020 | London, Playwriting, Review, United States of America
Yesterday, I watched the streamed version of December, written and directed by Alexander Knott,...
Read MorePosted by Aleks Sierz | 28th Dec 2020 | London, Review, United Kingdom
A couple of days ago I watched the live stream of Misfits, from the Queen’s Theatre Hornchurch....
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