“Trilogia Cadela Força – Capítulo II: The Brotherhood.” Review. Holland Festival 2025.
My colleague Jonathan and I were walking towards Leidseplein and the Internationaal Theater...
Read MorePosted by Jenny Strataki | 6th Aug 2025 | Holland Festival 2025, Netherlands, Review
My colleague Jonathan and I were walking towards Leidseplein and the Internationaal Theater...
Read MorePosted by Róisín Daly | 6th Aug 2025 | Holland Festival 2025, Netherlands, Review, Theatre and AI
Stepping into From Dust feels less like attending a performance and more like consciously entering...
Read MorePosted by Javad Mohajeri | 6th Aug 2025 | Holland Festival 2025, Netherlands, Review, Theatre and AI
Arrival and Anticipation On Thursday, June 19, I participated in Michel van der Aa’s From Dust....
Read MorePosted by Unnur Hlíf Rúnarsdóttir | 6th Aug 2025 | Holland Festival 2025, Netherlands, Review
For Part I of this review, go here. Yet again, I find myself at the edge of Amsterdam, at the...
Read MorePosted by Unnur Hlíf Rúnarsdóttir | 6th Aug 2025 | Holland Festival 2025, Netherlands, Review
It is the third day of the Holland Festival, and I make my way to what feels like the edge of...
Read MorePosted by Margaret Rose | 14th Aug 2024 | Edinburgh 2024, Festivals, Netherlands, Review, United Kingdom
Director of the Edinburgh International Festival (EIF), Nicola Benedetti, chose ‘Rituals that...
Read MorePosted by Rhiannon Ling and Kasia Lech | 22nd Apr 2023 | Dramaturgy, Interview, Netherlands, Theatre for Young Audiences
Paulien Geerlings is the head dramaturg at Amsterdam’s The Toneelmakerij, a theatre company...
Read MorePosted by Vera Bonder | 15th Jan 2023 | Festivals, Netherlands, Participatory Theatre, Review, Theatre and Dance, Theatre and Politics
On Saturday 19 November 2022, I witnessed the performance Hands Up! by dancer and choreographer...
Read MorePosted by Duška Radosavljević | 16th Sep 2022 | Adaptation, Design, London, Netherlands, Review, United Kingdom
‘If this were a text for the theatre, here is how it would begin’ – these are the opening words of...
Read MorePosted by Duška Radosavljević | 19th May 2022 | Adaptation, Netherlands, Review, United Kingdom
Ivo van Hove’s production of Age of Rage is sourced from six plays by Euripides and one by...
Read MorePosted by Wieke Ten Cate | 11th Nov 2020 | Essay, Netherlands, Theatre for Young Audiences, Youth Theatre - A Casebook
As a documentary theatre maker, I am typically interested in individuals and characters whom I...
Read MorePosted by Christopher Harris | 2nd Oct 2020 | Festivals, Netherlands, Theatre and Dance
The Butoh dance – born in Japan in the late ’50s, and welcomed and metabolized by the West in the ’80s – is not annulled in the stereotype of a technique handed down and transmittable, but lives an ever new epiphany in the individual experience of each dancer whose results, formally indefinable, go from improvised performative intervention to the extreme of the choreographic mechanism.
Read MorePosted by Olivia Ek | 20th Apr 2020 | Adaptation, Netherlands, Review, Transmedia
There’s a colloquialism within the theatre community that ‘you know lighting design is good when...
Read MorePosted by Christopher Harris | 29th Aug 2018 | Dramaturgy, Essay, London, Netherlands, Theatre and Opera, United Kingdom
The dramaturgy of love’s intertwining with violence has been a recurring theme in the...
Read MorePosted by Christopher Harris | 23rd Mar 2018 | Festivals, Netherlands, Review, Theatre and Opera
If you ask any resident of Amsterdam: “how did the National Opera House look from the...
Read MorePosted by Christopher Harris | 16th Mar 2018 | Festivals, Netherlands, News, Participatory Theatre, Theatre and Dance, Transcultural Collaborations
In Waves: Transforming The World Through One’s Self At Amsterdam’s Butoh Festival In...
Read MorePosted by Clement Lee | 14th Dec 2017 | Design, Hong Kong, Netherlands, Review
In early September, around 20 participants, including I, have ended a magical month as theatre...
Read MorePosted by Christopher Harris | 13th Dec 2017 | Dramaturgy, Netherlands, News, Transcultural Collaborations
ASAP is a new initiative of both staff members and students from the Theatre Studies department at the UvA in order to create space for exchange within and around the department of Theatre Studies.
Read MorePosted by Christopher Harris | 21st Oct 2017 | Dramaturgy, Netherlands, Transcultural Collaborations, Translation
Amsterdam’s Stedelijk Museum asserted itself as the watering hole for a universal collective of people congregating on the subject of cultural translation within a dramaturgical framework, which alone begins as a intriguing idea, given that the collective arrived out of the rain from many corners of the globe.
Read MorePosted by Kristof van Baarle | 17th Aug 2017 | Netherlands, Theatre and Dance
Choreographer and dancer Daniel Linehan places dancers in a hyper-structured environment. In this...
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