The Actor is the Message: An Interview with Sophie Rois
The actress Sophie Rois on performing without a role, the life of an actress at the Berlin...
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Germany
What Role Can Art Play in Politics?
Suddenly there is this persistent call for an art that is useful, for direct commitment, for...
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The Festival Internationale Neue Dramatik (FIND) Opened in Shaubuhne Theater in Berlin
The Festival Internationale Neue Dramatik (FIND) just closed in Shaubuhne Theater in Berlin. From...
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In Search for a European Identity: Wiesbaden Biennale 2016
New concept and new management: The Wiesbaden Biennale 2016 set out to search for a European...
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From Court Theatre to the Federal System
Again and again, especially abroad, the question is put why there is no National Theatre in...
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Globalized Modernity in Contemporary Drama
Current plays treat the great global contexts, but also take a look at family structures. There...
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An Interview with Alexander Schroeder OnTheatre and the Refugee Crisis in Berlin
Alexander Schroeder has been working for the last fifteen years in the acting department at the...
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Games And Theatre in Hybrid-Reality
Professor Judith Ackermann studied media, psychology, and computer linguistics prior to taking up...
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Roland Schimmelpfennig’s “The Golden Dragon” Staged in Hong Kong by On & On Theatre Workshop
Roland Schimmelpfennig ‘New Writing’ masterpiece Der Goldene Drache (The Golden Dragon) explores...
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Deutsches Theater’s “Waiting for Godot” at World Theatre in Sofia 2016
The emblem of human existence The stage has a rectangular ramp on it, covered with a large pink...
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The Politics Of Reconstruction: How Renovating A Theater Affects Social Climate
What does a German municipal theater need? Wilfried Schulz has been intendant of the Düsseldorf...
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“Terror”: Theatre as Discussion on Ethics and the Law
With his debut play Terror, the lawyer and best-selling German author Ferdinand von Schirach...
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A Discussion With Peter Brombacher: Acting And The Importance Of The Ensemble
An interview with the actor Peter Brombacher, actor and a permanent member of the Münchner...
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Roland Schimmelpfennig’s “Winter Solstice” Probes the Lure of Fascism
A day or so after Theresa May’s keynote speech about Brexit the words Europe and European carry an...
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“NIMBY” From Chilean-French Company Colectivo Zoológico at Iberoamerikanisches Theaterfestival
On July 4th, 1999, almost 1700 low-income families in Peñalolén, Santiago de Chile illegally...
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German Children’s And Young People’s Theatre Prizes Aim To Promote Theatre For Young Audiences
Since 1996, the German Children’s Theatre Prize and the German Young People’s Theatre Prize are...
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The Reinvention Of The Family Play Genre
In many German municipal and state theaters, the Advent season is the starting shot for the...
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Play the Game on the Stage! Conversation with machina eX, One of The Most Immersive Theatre Companies in Germany
machina eX is one of the most immersive theatre company in Germany. They constantly recreate...
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Korean-German Collaboration “Walls–Iphigenia in Exile” Premieres in Gwangju and Berlin
Walls–Iphigenia in Exile, the result of a four-year collaboration between South Korean and German...
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Unrest and Discontent – Political Theatre as Agonistic Field
The more the time we are living through seems out of joint, the harder it has been for the...
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