Austria Archives - The Theatre Times

“Tired” Of Consuming Postdramatic Theatre (Contemporary Theatre Often Lacks Strong Dialogue)

Posted by Ivanka Apostolova Baskar | 31st Aug 2025 | Austria, Dramaturgy, Interview, Macedonia

An Interview with Ana Ristoska Trpenoska, a playwright, dramaturg, Vienna/Skopje, Austria/R.N....

Mozart! The Gem of European Musical Theatre

Posted by Lisa Monde | 8th Oct 2024 | Austria, Interview, Musical Theatre

Dedicated to the 25th anniversary of the musical Mozart! Contains fragments of the exclusive...

Critical Generosity as a Decolonial Praxis

Posted by Giulia Casalini | 19th Jun 2024 | Austria, Review, Theatre and Decolonization

A view on EXÓTICA, by Amanda Piña / Studio Fortuna Art criticism is a stronghold of Western...

Ivo Van Hove’s Water-turgy: “Ingolstadt” at the Salzburg Festival

Posted by Duška Radosavljević | 8th Aug 2022 | Adaptation, Austria, Dramaturgy, Festivals, Review

Just over a hundred years since its founding (by impresario and theatre director Max Reinhardt),...

Narrative Game Design and Social Issues

Posted by Ágnes Bakk | 22nd Apr 2020 | Austria, Interview, Transmedia

Georg Hobmeier is an artist and narrative game designer who is working in several fields: game...

Interactive Living and Aesthetic of Participation: A Conversation with Christa Sommerer

Posted by Louise Boisclair | 18th Mar 2020 | Austria, Interview, Theatre and Art, Transmedia

This conversation with Christa Sommerer focuses on some aspects of the gigantic artwork that...

Bodily Dressage: Cruel and Optimistic Pleasures of the Speaking and Moving Body

Posted by Lisa Moravec | 20th Dec 2019 | Austria, Festivals, Germany, Theatre and Dance

Researcher and critic Lisa Moravec explores how two performances of this year’s ImPulsTanz,...

Vienna: Mental Eclipse Theater’s “Blasted” (Sarah Kane). Separating Admirable Impulse From Mixed Impact

Posted by Aisling Murphy | 20th Oct 2019 | Austria, Review, Theatre and Art

Mental Eclipse Theater’s production of Sarah Kane’s Blasted is, admittedly, a mixed experience,...

Theatre Of Remembrance: Geschichtliches Gefuhl

Posted by Christoph Leibold | 19th Sep 2017 | Austria, Germany

Hardly another art form is better suited for the work of remembrance than the theatre as a medium...

Elfriede Jelinek’s 70th Birthday

Posted by Wolfgang Höbel | 29th Oct 2016 | Austria, News, Playwriting

In the course of her life, Elfriede Jelinek, who recently turned seventy, has written over thirty...

“Fascinating Inharmoniousness” With Playwright Anna Gschnitzer

Posted by Fides Schopp | 1st May 2016 | Austria, Interview, Playwriting

College of inspiration from playwright Anna Gschnitzer’s desk. Do plays require a different...

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Austria

“Tired” Of Consuming Postdramatic Theatre (Contemporary Theatre Often Lacks Strong Dialogue)

Mozart! The Gem of European Musical Theatre

Critical Generosity as a Decolonial Praxis

Ivo Van Hove’s Water-turgy: “Ingolstadt” at the Salzburg Festival

Narrative Game Design and Social Issues

Interactive Living and Aesthetic of Participation: A Conversation with Christa Sommerer

Bodily Dressage: Cruel and Optimistic Pleasures of the Speaking and Moving Body

Vienna: Mental Eclipse Theater’s “Blasted” (Sarah Kane). Separating Admirable Impulse From Mixed Impact

Theatre Of Remembrance: Geschichtliches Gefuhl

Elfriede Jelinek’s 70th Birthday

“Fascinating Inharmoniousness” With Playwright Anna Gschnitzer

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