Shades of Love
Recipient of this year’s Sangeet Natak Akademi’s Award for theatre, director Mushtaq Kak’s...
Read MorePosted by Diwan Singh Bajeli | 31st Oct 2016 | India, Review
Recipient of this year’s Sangeet Natak Akademi’s Award for theatre, director Mushtaq Kak’s...
Read MorePosted by The Theatre Times | 27th Oct 2016 | India, Review, Theatre and Gender
Kimartham Draupathy, Aswathy Vijayan’s Sanskrit play, is about predicaments that women face even...
Read MorePosted by Deepa Ganesh | 21st Oct 2016 | Essay, India
Ninasam Tirugata staged two plays — Kalandugeya Kathe and Atta Dari Itta Puli. One reads the...
Read MorePosted by Malini Nair | 16th Oct 2016 | India, Review
After two decades, the fascinating ceremony of a 41-day Sanskrit play performed as a ritual...
Read MorePosted by Manu Remakant | 8th Oct 2016 | India, Review
Avataar, staged by Nireeksha Women’s Theatre, delves into a virtual world of shifting identities,...
Read MorePosted by Sravasti Datta - The Hindu.com | 7th Oct 2016 | India, Review
Who discovered black holes? It was an Indian-American, Noble prize winning astrophysicist. His...
Read MorePosted by Nesma Youssef Idris | 5th Oct 2016 | Design, India, News
As a special treat for the attendees of The 23rd Cairo International Festival for Contemporary...
Read MorePosted by Chitradeepa Anantharam | 22nd Sep 2016 | India, Review
Vandichodai by Koothuppattarai is all about deep philosophy and questioning societal norms. The...
Read MorePosted by Deepa Alexander - TheHindu.com | 14th Sep 2016 | India, Review
Theatre director, documentary film-maker and screenwriter Sunil Shanbag found his stage voice...
Read MorePosted by Swati Daftuar - The Hindu.com | 10th Sep 2016 | India, Musical Theatre, Producing, Review
With every story he tells and every play he does, producer-director Saif Hyder Hasan takes a risk....
Read MorePosted by TheHindu.com | 8th Sep 2016 | India, News, Playwriting
Thomas Manuel was one of three shortlisted playwrights, the other two being Meera Sitharaman for...
Read MorePosted by Ketaki Datta | 31st Aug 2016 | Adaptation, India, Review
Kolkata Rangeela began its journey as a new theatre group in March 2014. But even before that,...
Read MorePosted by Ketaki Datta | 24th Aug 2016 | India, Review
The Merchant of Venice is a play by Shakespeare, one with which even a school-going child is...
Read MorePosted by Ketaki Datta | 17th Jul 2016 | India, Review, Theatre and Gender
In the latter half of April 2016, Rabindra Sadan, Kolkata, was all abuzz with the excitement of...
Read MorePosted by Saayantan Pal Chowdhury | 17th Jul 2016 | India, Review
The dramatic performance of Pot Pot Potuya (at Dinabandhu Mancha, Siliguri, December 2015) shows...
Read MorePosted by Hemangi Hemangi | 17th Jul 2016 | India, Review, Theatre and Gender
In Marathi literature, one finds a strong tradition of Dalit literature, including autobiographies...
Read MorePosted by Ketaki Datta | 4th Jul 2016 | India, News
Theater performances in India are a costly affair; however, they are in high demand across the...
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“L’amor venia amb taxi” (Love Arrived By… by Maria Delgado 28th December 2025 


Writing Across Taiwan and Macau: An Interview with… by Kuan-Ting Lin 6th January 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025 