Raising Fists and Sharing Bread: Tiziano Cruz’s “Wayqeycuna” (Argentina)
A shimmering Andes mountain range made of light and weave. The sound of rattling bells. A...
Read MorePosted by Yizhou Zhang | 5th Feb 2026 | Argentina, Canada, Review, Theatre and Decolonization
A shimmering Andes mountain range made of light and weave. The sound of rattling bells. A...
Read MorePosted by David O'Donnell | 29th Jan 2026 | Festivals, Hawaii, New Zealand, Theatre and Decolonization, Transcultural Collaborations
In the opening scene of Puana, a musical play written and directed by Professor Tammy Haili‘ōpua...
Read MorePosted by Kuan-Ting Lin | 19th Nov 2025 | Interview, Playwriting, Taiwan, Theatre and Decolonization
Ihot Sinlay Cihek is a Taiwan-based Pangcah theatre artist whose work confronts the intersecting...
Read MorePosted by Aleks Sierz | 30th Oct 2025 | Adaptation, London, Review, Theatre and Decolonization, United Kingdom
In 2023, Malaysian actor Michelle Yeoh won the Best Actress Oscar for her performance in...
Read MorePosted by Amir Al-Azraki | 3rd Aug 2025 | Essay, Iraq, Theatre and Decolonization
Inherited Voices: A Theatre of Borrowed Authority Recently, I’ve found myself drawn to a popular...
Read MorePosted by Aleks Sierz | 26th Feb 2025 | London, Playwriting, Review, Theatre and Decolonization, United Kingdom
Diaries are dynamite — they hold secrets, and secrets can tear families apart. In Coral Wylie’s...
Read MorePosted by Aleks Sierz | 20th Jan 2025 | Adaptation, London, Review, Theatre and Decolonization, United Kingdom
Is resilience the most powerful character trait? When you think about the suffering of the...
Read MorePosted by David O'Donnell | 15th Oct 2024 | Education, New Zealand, Review, Theatre and Decolonization
The stage explodes with ihi (essential force) and aroha (love, empathy) in Unreel, the new work by...
Read MorePosted by Wojciech Baluch | 23rd Sep 2024 | Poland, Review, Theatre and Decolonization
To read PART I of this interview, go to this link. For Part II, click here. All the bad ones are...
Read MorePosted by Wojciech Baluch | 23rd Sep 2024 | Poland, Review, Theatre and Decolonization
To read PART I of this interview, go to this link. For Part III, click here. Men –...
Read MorePosted by Wojciech Baluch | 23rd Sep 2024 | Poland, Review, Theatre and Decolonization
It might seem that the indefinitely prolonged Covid epidemic, which contributed to the...
Read MorePosted by Yizhou Zhang | 5th Jul 2024 | Germany, South Africa, Theatre and Dance, Theatre and Decolonization
This summer, Berlin’s Volksbühne presented The Visitors, a new work by the choreographer Constanza...
Read MorePosted by Giulia Casalini | 19th Jun 2024 | Austria, Review, Theatre and Decolonization
A view on EXÓTICA, by Amanda Piña / Studio Fortuna Art criticism is a stronghold of Western...
Read MorePosted by Deniz Bașar | 15th May 2024 | Essay, Theatre and Decolonization, Turkey
TiyatroTem (2001-2017) was established by Şehsuvar Aktaş (b. 1964) and Ayşe Selen (1955-2017) in...
Read MorePosted by Sakina Mirichii | 30th Nov 2023 | Essay, Kenya, Theatre and Decolonization
In recent years, there has been a growing movement towards promoting and preserving indigenous...
Read MorePosted by Rhiannon Ling | 20th Nov 2023 | New York, Review, Theatre and Decolonization, United States of America
I stopped taking notes about halfway through Brittany K. Allen’s Redwood. I can think of no better...
Read MorePosted by Aleks Sierz | 18th Oct 2023 | India, London, Review, Theatre and Decolonization, Theatre and Politics, United Kingdom
Anniversaries are great moments for reassessment. Ten years ago, the Royal Shakespeare Company...
Read MorePosted by Kopano Maroga | 1st Oct 2023 | Dramaturgy, Essay, South Africa, Theatre and Decolonization
South African performance artist, writer and cultural worker Kopano Maroga interrogates the...
Read MorePosted by Kopano Masibi | 29th Sep 2023 | Devised Theatre, Review, South Africa, Theatre and Decolonization
At the University of Pretoria, South Africa’s Student Gallery, I was met with the open space of...
Read MorePosted by The Hindu | 20th Sep 2023 | India, News, Theatre and Decolonization, Theatre and Gender, Worldwide
Mangri Orang, a tea plantation worker, was gunned down by British security personnel in 1921 for...
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Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 

From Shakespeare To Contemporary Montenegrin… by Ivanka Apostolova Baskar 25th March 2026 

“Digital Access To The Performing Arts”… by The Theatre Times 7th March 2026
Marketing, Sales And Production Are Crucial For The… by Ivanka Apostolova Baskar 16th March 2026
“Is Love Energy Or Matter?” An Interview With Rok… by Ivanka Apostolova Baskar 11th March 2026
The 2026 International Ibsen Award: A Reflection On… by International Ibsen Award Committee 2026 27th March 2026