Dramaturgy Meets Biography
I am a dramaturg. I am also a biographer. As a dramaturg, I try to help a playwright tell the...
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Dramaturgy
Ivo van Hove’s “Scenes from a Marriage”
Intimacy burns. A couple pummels each other in an endlessly repetitive cycle from which there is...
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Storytelling and Catching Wild Birds – Talking Dramaturgy With Shilpa T-Hyland
A conversation about dramaturgy, storytelling and outside eyes with Shilpa T-Hyland, co-artistic...
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Romeo, Juliet, and You: CoLab Theatre is Back Challenging the Bard with Interactivity
“But he which bore my letter, Friar John, Was stay’d by accident, and yesternight...
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Festival of Original Theatre in Toronto Presents Diverse Auditory Experimentations
The Festival of Original Theatre (FOOT) is a 25-year-old annual event hosted by The Centre for...
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Fusions, Explorations and Making It Make Sense: Talking Dramaturgy with Flavia D’Avila
An interview with Edinburgh-based theatre-maker Flavia D’Avilia about dramaturgy and...
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New Zealand Dramaturgy: A Maverick Undertaking in 2016 Part II
This is Part II of the series on dramaturgy in New Zealand. For Part I, click here. Dramaturgy is...
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Feedback, Ladders and Outside Eyes: Talking Dramaturgy with Michael John O’Neill
Dosed up on caffeine on another rainy day in Glasgow. Ideal conditions to talk about dramaturgy...
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New Zealand Dramaturgy: A Maverick Undertaking in 2016, Part I
Playwright and dramaturge Gary Henderson points out that classic rugby analogies, although...
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In Today’s Popular Shows, Shakespeare’s Iconic Characters Live On
Though Shakespeare’s death didn’t attract much attention in 1616, it’s big news today. To mark its...
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Dramaturgy of the Duels in Lin-Manuel Miranda’s “Hamilton”
Pistol Dueling in the Early United States as Presented on the Broadway Stage Two men face off in...
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Practising Blind Support and Doing Everything in the Moment: Talking Dramaturgy with Will Naameh
An interview with Edinburgh-based improviser Will Naameh about dramaturgy and improvisation....
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A Dramaturg’s Process in NYMF’s NextLink Project
It is much more challenging to dramaturg a musical than a straight play because there are so many more elements to consider, assess, and attempt to balance out. I examine each song in the score in terms of style, tempo, tone, melody, and length.
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Gaming and the Future of Dramaturgy: Goethe’s “Faust” as an Immersive and Interactive Experience
Peter Lee is the founder of NOLGONG, the Seoul-based game design company, which is also producing...
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Laudation Delivered on the Occasion of Forced Entertainment’s Acceptance of the International Ibsen Award
In September 2016 the British experimental theatre company Forced Entertainment were the winners...
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On Festivals: Curatorial Thought in Process
The curator’s role in the performing arts area seems to be, for many—including the curators...
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Sonorous Dramaturgy: Part I
Sonorous dramaturgy, a term borrowed from Eugenio Barba’s On Directing and Dramaturgy: Burning the...
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On Audience Outreach and Gaming: Conversation With Kirsty Sedgman
Kirsty Sedgman‘s background is in performance studies, which, according to her, tends to make big...
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From Virtual Corporeality to Nano-Spectacles: Interview With Mirko Stojkovic
Interview with Mirko Stojkovic dramaturg, video game developer and university teacher about...
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The Yellow Book by Eleonora Fabião
Everything started to me in 2007. Since then it is me and her work, through her work, from her...
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