Iranian Theatre, Its Discontinuity and Discontent: An Interview with Amin Azimi, Part I
Amin Azimi is an Iranian theatre researcher, dramaturg, translator, and director. He studied...
Read MorePosted by Marjan Moosavi | 31st Aug 2017 | Dramaturgy, Interview, Iran
Amin Azimi is an Iranian theatre researcher, dramaturg, translator, and director. He studied...
Read MorePosted by Christopher Harris | 26th Aug 2017 | Dramaturgy, United Kingdom
Everyone’s a dramaturg. We all practice it, even if we don’t know it, particularly if...
Read MorePosted by Oksana Dudko | 20th Jul 2017 | Documentary Theatre, Dramaturgy, Ukraine
During the post-Soviet period, Ukrainian dramaturgy lagged behind prose and poetry and was almost...
Read MorePosted by Andrew Edwards | 25th Jun 2017 | Dramaturgy, Interview, Scotland, United Kingdom
A conversation about dramaturgy and New Writing with Rosie Kellagher, Literary Manager for the...
Read MorePosted by Walter Byongsok Chon | 16th Jun 2017 | Dramaturgy, South Korea, Translation
On Sunday, May 7, Korean playwright Kim Eunsung’s Sister Mok-Rahn was given a staged reading at...
Read MorePosted by Walter Byongsok Chon | 30th May 2017 | Dramaturgy, Interview, South Korea, Transcultural Collaborations
Walter Byongsok Chon is an assistant professor of dramaturgy and theatre studies at Ithaca...
Read MorePosted by Alexis Greene | 18th May 2017 | Dramaturgy, United States of America
I am a dramaturg. I am also a biographer. As a dramaturg, I try to help a playwright tell the...
Read MorePosted by KaiChieh Tu | 27th Apr 2017 | Dramaturgy, Netherlands, New York, Transcultural Collaborations
Intimacy burns. A couple pummels each other in an endlessly repetitive cycle from which there is...
Read MorePosted by Andrew Edwards | 27th Apr 2017 | Dramaturgy, Interview, Scotland, Theatre for Young Audiences, United Kingdom
A conversation about dramaturgy, storytelling and outside eyes with Shilpa T-Hyland, co-artistic...
Read MorePosted by Aida Rocci | 2nd Apr 2017 | Dramaturgy, Immersive Theatre, London, Review, United Kingdom
“But he which bore my letter, Friar John, Was stay’d by accident, and yesternight...
Read MorePosted by KaiChieh Tu | 10th Mar 2017 | Canada, Dramaturgy, Festivals
The Festival of Original Theatre (FOOT) is a 25-year-old annual event hosted by The Centre for...
Read MorePosted by Andrew Edwards | 28th Feb 2017 | Dramaturgy, Interview, Scotland, Theatre and Dance, Transcultural Collaborations
An interview with Edinburgh-based theatre-maker Flavia D’Avilia about dramaturgy and...
Read MorePosted by Dione Joseph | 23rd Jan 2017 | Dramaturgy, Essay, New Zealand
This is Part II of the series on dramaturgy in New Zealand. For Part I, click here. Dramaturgy is...
Read MorePosted by Andrew Edwards | 19th Jan 2017 | Dramaturgy, Interview, Scotland
Dosed up on caffeine on another rainy day in Glasgow. Ideal conditions to talk about dramaturgy...
Read MorePosted by Dione Joseph | 17th Jan 2017 | Dramaturgy, Essay, New Zealand, Participatory Theatre
Playwright and dramaturge Gary Henderson points out that classic rugby analogies, although...
Read MorePosted by Brett Gamboa | 17th Jan 2017 | Dramaturgy, Essay, United Kingdom
Though Shakespeare’s death didn’t attract much attention in 1616, it’s big news today. To mark its...
Read MorePosted by Meron Langsner | 15th Jan 2017 | Dramaturgy, Musical Theatre, New York, Stage Combat, United States of America
Pistol Dueling in the Early United States as Presented on the Broadway Stage Two men face off in...
Read MorePosted by Andrew Edwards | 2nd Jan 2017 | Dramaturgy, Interview, Scotland
An interview with Edinburgh-based improviser Will Naameh about dramaturgy and improvisation....
Read MorePosted by Anne Hamilton | 21st Dec 2016 | Dramaturgy, Essay, Musical Theatre, New York, United States of America
It is much more challenging to dramaturg a musical than a straight play because there are so many more elements to consider, assess, and attempt to balance out. I examine each song in the score in terms of style, tempo, tone, melody, and length.
Read MorePosted by Ágnes Bakk | 20th Dec 2016 | Dramaturgy, Immersive Theatre, Interview, South Korea, Transmedia
Peter Lee is the founder of NOLGONG, the Seoul-based game design company, which is also producing...
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