“All the world’s a stage, and all the men and women merely players” at Shakespeare Festival in Serbia
The tenth in a row international theatre festival “Shakespeare Festival”, whose...
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UNBOX ME! Live Theatre and the Virtual World.
UNBOX ME! Written by Simon Jones. Directed by Simon Jones. Dramaturgy by Sara Giddens. Bodies in...
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“A Mirror” at Almeida Theatre
This is a play about censorship in a totalitarian state — but, no, I’m not reviewing The...
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“Radio Man:” A Story of Connection and Bloodshed in Dystopian America
It’s no secret that I’m an advocate for feminist, queer theatre. Or that I enjoy worlds of the...
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Once Upon a Warning for Next Time
“We’re not here to make fairytales, we’re here to follow them,” quips the narrator (Adam Godley)...
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New Aussie Musical “Bloom” Misses An Opportunity To Interrogate The Gaps In Aged Care – And In Our Social Fabric
Bloom, the new Australian musical produced by the Melbourne Theatre Company, is proudly billed by...
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Edinburgh Fringe 2023: Overview
There is a show at this year’s Fringe called Distant Memories of the Near Future written and...
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The Echoes Of Lawino Reverberate In Uganda
When considering Okot p’Bitek’s perspective on African tradition, it becomes evident that change is inevitable. If African tradition is lived in the midst of the battle of life, then Lawino is not the character to focus on, as she refuses to acknowledge the possibility of change. Similarly, Ocol negates everything about himself to accommodate the other, but his transformation is ultimately revealed to be superficial. Opio and Clementine, however, require a more nuanced examination, as their experiences shed light on the agency of individuals in this exchange of aesthetics and epistemology.
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Lucy Prebble’s “The Effect” At The National Theatre: Non-White Cast Bring A New Energy To This Contemporary Classic
Success always opens doors. Ever since the HBO drama Succession was lauded as a huge international...
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Edinburgh Fringe 2023: “Lucy and Friends,” Pleasance Courtyard
Lucy McCormick used to do music gigs and re-enactments, but she has now put her past and her...
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Edinburgh Fringe 2023: #Danish Ed Fringe
There is a little red brochure going around the Edinburgh Fringe titled #Danish. It represents the...
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Big In Belgium At The Edinburgh Fringe 2023
It was exactly ten years ago that Big in Belgium – a season of work from Flanders – was first...
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Ukraine Fringe: Festival For The Brave To Be Held In Blended Form From August 21st To September 3rd
The first edition of Ukraine Fringe – under the slogan Festival for the Brave – will...
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Edinburgh International Festival 2023: “FOOD” By Geoff Sobelle
You would not have been wrong to expect a feast in this show set at a giant dining table, fully...
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“Rock Follies” Review: Powerful New Musical Brings 1970s Feminist TV Sensation to the Stage
Rock Follies was a groundbreaking television series about an all-female rock band that originally...
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Poland at The Edinburgh Fringe 2023: Lubuski Teatr’s “Gusła” And The Song Of The Goat’s “Andronicus Synecdoche”
Thanks to the early 20th century ethnographic research of Milman Parry and Albert Lord, the word...
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Edinburgh International Festival 2023: “Trojan Women” By The National Theatre Of Korea
There are multiple ways to admire this production of a Greek classic, directed by Singaporean Ong...
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Memorial To Professor Maya Harbuzyuk
It is with great regret and sadness that we have learned of the untimely and sudden death of an...
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Meeting The Public Is The Most Important Incentive For Those Who Do Theatre: An Interview With Walter Prete
Walter Prete is a playwright, author, actor, educator, dramaturg, and director. Born in 1991 in...
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Brian Friel’s Dancing At Lughnasa At The National Theatre London
The recent production of Brian Friel’s Dancing at Lughnasa at London’s National Theatre offers its...
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