“Misericordia” (Mercy) at Madrid’s Teatro Valle Inclán: Families, (Auto)fiction and Exile
There is a lot to admire in Denise Despeyroux’s newest play produced by the Centro Dramático...
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A Beginner’s Guide To Santiago a Mil 2024: 10 Key Takeaways From One of Latin America’s Most Important Theatre Festivals
Santiago a Mil is an annual theatre and performing arts festival held in the Chilean capital in...
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Theatre Against Ageism: “The Secret Lives of Extremely Old People” by Rachel McAlpine
In a year in which 77-year-old Dolly Parton recorded her first rock record, the octogenarian...
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“The Fantastical Fellowship:” Niche Comedy at Under St. Mark’s
For lovers of the fantastical and the geeky, the scene at Under St. Mark’s is one of nostalgia and...
Read MorePhillip Luswata: A Career Onstage and Behind the Scene
Phillip Luswata – “the one from Uganda” The first time I learned about Phillip Luswata was on a black and white TV. Then, he was a guest on the South African evening daily soap, Egoli: Place of Gold. His cameo had received such...
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Sam Holcroft’s “A Mirror” at the Trafalgar Theatre
“This play is a lie,” boldly declares the poster of Sam Holcroft’s new play A Mirror, now playing...
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Disability Representation and the Rise and Fall of How to Dance in Ohio
On Monday How to Dance in Ohio, one of the most hyped shows of the 2023 Broadway fall season,...
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Zoe Cooper’s Northanger Abbey at the Orange Tree Theatre: High Energy and Queer-eyed Adaptation of Jane Austen Classic
Jane Austen is not just a classic novelist — she’s a cultural institution and a national treasure....
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Long and Short Hatreds
Joshua Harmon’s Prayer for the French Republic is a very good play about anti-Semitism that left...
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TheTheatreTimes.com: Towards Transnational Digital Infrastructure
Written by Magda Romanska and Kasia Lech All theatre is local. All theatre is global. Both...
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Creativity on the Edge, Communication with the Centre, and Conversations about the Future
Being on the edge is the place where I like to be no matter in what domain it is…and the edge is a...
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Interview with Brilliant Les Dramaturx (Germany): Playfully, In the Sense of Autonomous Art, or Politically, In the Sense of Artivism.
Christian Tschirner aka Soeren Voima (he/him – author, theater maker, Schauspielhaus...
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Dealing with a Difficult Past: Guillermo Calderón’s “Villa” at Santiago a Mil
Catching up with Guillermo Calderón’s Villa at Santiago a Mil after almost 12 years has been a...
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Design Writing: Five Views of Sarah Ruhl’s “Eurydice”
Introduction by Michael Schweikardt Student designers at San Francisco State University’s School...
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“El Lector Por Horas/Reader By The Hours.” A Successful Spanish Play That Also Deserves To Be A Global Hit
Sanchis Sinisterra is a Spanish playwright with a long career and many successes who is in the...
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Actor on the Verge of a Nervous Breakdown: “El Brote” (The Break) at Santiago a Mil
El Brote (The Break) is the tale of an actor who doesn’t feel he’s had the career breaks his...
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NYC Artists Stand in Solidarity with The Freedom Theatre
On January 13th, hundreds of artists and cultural workers marched through New York City’s theater...
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Performance and Politics: “Parlamento” (Parliament) Storms Santiago a Mil
Piel de Lava have been making work for 20 years and it shows. Elisa Carricajo, Valeria Correa,...
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Making a Film on Santiago’s Streets: “Efectos especiales” at Santiago a Mil
Think of a film set where the audience gathered on the streets are not fully aware that they are...
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Depression and discontents: Daniel Veronese’s staging of “La persona deprimida” (The Depressed Person) at Santiago a Mil
I read David Foster Wallace’s short story The Depressed Person soon after it was published in...
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