“Invisible Lands,” Bodies, Gods, and… People
Invisible Lands, a two-performer act, initially presents itself as a nonverbal production with...
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Post-Colonial B-Horror: “The Visitors” at Volksbühne Berlin
This summer, Berlin’s Volksbühne presented The Visitors, a new work by the choreographer Constanza...
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The Bounds, Royal Court
Every day this week I’m watching a football match, and now — after April’s production of Lydia...
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Water for Elephants: a Musical or a Circus Drama?
Everyone knows that musical is a synthetic genre in which a story is being told by means of...
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New Play “American Signs” Looks At The Nefarious World Of Consultancies – But Leaves Australia Off The Hook
Anchuli Felicia King’s new one-performer piece, American Signs, written for the talented Catherine...
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Miangaly Theatre Company: Defining the Stage in Madagascar
They say everyone can be an actor. Any location can transform into a theatre stage. Yet finding a...
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“Pericles” – An Odyssey from Timișoara
Depicting an odyssey on stage is rather a challenge, especially when the main means of transport...
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“Youth Without God;” Unkind, Realistic Reminder
TESZT 2024 brings, from Zagreb Youth Theatre, Borut Šeparović’s production Youth Without God, on a...
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“The Marilyn Conspiracy,” Park Theatre
The death of Marilyn Monroe, on 4 August 1962, is a wet dream for conspiracy theorists. Like the...
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“The Constituent,” Old Vic
Good timing — as the UK’s general election campaign goes into its final week, this large-scale...
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Death Is Funny, Death is Lame, Death is Sudden, Death Can Happen to “Anybody”
A bitter-sweet, funny memento mori (and memento vivere, for that matter), Forte Company – Szkéné...
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Bengaluru Play ‘The Earthquake’ Explores Loneliness Through Unspoken Words
Last Page Collective’s The Earthquake, directed by Samragni Dasgupta, explores the impact of...
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“My Father’s Fable,” Bush Theatre
Following the huge success of Benedict Lombe’s Shifters, which transfers soon to the West End, the...
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“Laughs In Spanish” Review
Laughs in Spanish by Miami native Alexis Scheer is a love letter to her city, specifically the...
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How Padmavati Rao Embraces Life Through Theatre And Activism
Multifaceted in the true sense, Padmavati Rao approaches every character with humility and...
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The Plasticity of Perception: “Babies on the Street: The Show” Brings Internet Drama to The Brick
Hillary Gao and Matthew Antoci adapt an internet tirade and examine perception and forgiveness with Babies on the Street, playing at The Brick in July.
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Liu Xiaoyi’s Creative Revolution
Liu Xiaoyi is a man on a mission. His juice is an imagined world where artists are in the driver’s...
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Exploring A Dystopian World: Where Water Reigns Supreme In Human Transactions
In a world devastated by the apocalypse, where water has become the new currency of human...
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Ali Asghar Dashti & Nasim Ahmadpour – “We Came To Dance” (Kunstenfestivaldesarts)
“Can we fundamentally give a dancer an order to stop moving? […] Is dance not defined as the...
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TESZT 15: Euroregional Theatre Festival Timișoara, Romania (19-26 May, 2024)
Within the rich landscape of Romanian theatre festivals, TESZT has carved out a niche as an...
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