A Look Back at the Asian Intercultural Conference 2017: Interview with T. Sasitharan
As part of the media partnership with Intercultural Theatre Institute (ITI), culture360 has...
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“Imaginationship” at The Finborough Theatre Explores a Divided Nation
It’s the 150th anniversary of the opening of the Finborough Arms pub, so Neil McPherson, artistic...
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“As One” – A New Biographical Opera About Transgender Experience Premiers in Boston
Saturday night at Longy School of Music’s Pickman Hall, As One had its Boston Premiere in the...
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“To The Depths,” Together: A Show In Folk Songs With A Story
The Polish production To The Depths or To The Bottom (Do Dna), which appeared at the 2017 Divine...
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The Complexities of Consent
Even when catapulted into public discourse in inglorious fashion, a la Aziz Ansari, our...
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Satoshi Miyagi Returns To The Japan Society With “Mugen Noh Othello”
New York City’s Japan Society closed out its 2017-18 Noh-Now series this past January with...
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Interview With Rob Rokicki, Composer And Lyricist Of “The Lightning Thief”
Rob Rokicki is a Drama Desk, Lortel, and Off-Broadway alliance-nominated composer/lyricist. His...
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Finding Common Language: Paul Tate DePoo III Brings His Set Design For “Titanic” To Seoul, South Korea
I love Titanic, the sweeping Broadway musical with a book by Peter Stone and a score by Maury...
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“Hymn To Love” At Divine Comedy Festival 2017
The chorus, as Nietzsche states in The Birth Of Tragedy, “can only be understood as the cause of...
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lan Ayckbourn’s “The Divide” at The Old Vic
Playwright Alan Ayckbourn basically comes in two flavors: suburban comedies of embarrassment and...
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Movie Star-Crossed: Adrienne Kennedy’s “He Brought Her Heart Back in a Box”
The explosively feminine theater of Adrienne Kennedy breaks many of the fundamental “rules” of...
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“The Rage” at Divine Comedy Festival 2017
Divine Comedy Festival 2017 situates itself awkwardly around the peaceful Christmas Market in the...
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The House That Geoff Sobelle Built: Questioning The Fundamentals Of Everyday Life In “Home”
In Home, Geoff Sobelle and company, under the skillful direction of Lee Sunday Evans, create a...
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On Words In Motion: “Brodsky/Baryshnikov”
In scholarly debates on contemporary theatre, the question about language has primary importance....
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“Brodsky/Baryshnikov” – Poetry in Motion
On a Sunday afternoon at the Cutler Majestic in Boston, Brodsky/Baryshnikov had its final Boston...
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“Black Inscription” – A New Multimedia Love Song Cycle Premieres at Prototype
“To dive we must forget the surface fuss… Ignore all surface fuss.. Ignore the surface…” -From...
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“Acquanetta” – A New Film Noire Opera at Prototype Festival
Of the two reviewers, Waters saw Captive Wild Woman, the movie the opera is based on, the morning...
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Masked Dancing: Javanese Tales on Stage
As an event it was spectacular; as dance, it swirled past the barriers of culture and language. As...
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Flock Theatre Presents “Long Day’s Journey Into Night” In The Monte Cristo Cottage
On the first night of rehearsal in the Monte Cristo Cottage in New London, CT, Flock Theatre...
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Fredric Mao Blasts Away Convention in a New Cantonese Opera
This article is brought to you by the 46th edition of the Hong Kong Arts Festival. If all you know...
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