“Aşınma” (“Corrosion”): A Solo Masterpiece About The Contemporary Human
In October 2025, Battersea Arts Centre hosted Aşınma (Corrosion) – a multi-award-winning theatre...
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Evil Can Appear Beautiful
Two major productions of Richard III are touring Italy in the present season, a sign perhaps that...
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#Me Too Oedipus
The British directing star Robert Icke specializes in contemporary adaptations of classics. He...
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“Liebe Mit Taktgefühl” By Barbara Raue-Flajs, At Piccolo Teatro Haventheater, Bremerhaven: Directorial Reflections
Since August 2019, I have owned and run the chamber theatre, piccolo teatro Haventheater, in...
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Thriving in an Either-Or World: An Interview with Taiwan-based Pangcah Theatre Artist Ihot Sinlay Cihek
Ihot Sinlay Cihek is a Taiwan-based Pangcah theatre artist whose work confronts the intersecting...
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Dimension Zero: All Judy, No Punch
Dimension Zero, the new sci-fi puppet musical from the Boxcutter Collective, arrives at HERE arts...
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Dupes of Hazard
The farcical premise of Rajiv Joseph’s play Archduke—just opened at the Roundabout’s Laura Pels...
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Nearly Finished
With a depressingly vacuous, celebrity-circus Waiting for Godot sucking up so much oxygen on...
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3sisters at the Novi Sad Theatre
Before the audience of the play 3sisters, with their eyes wide open, a music box, the girls on...
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Jack Holden’s The Line of Beauty at the Almeida Theatre: A Subtle And Appealing Adaptation Of A Modern Classic 1980s Story
Thatcher, and the image of Thatcher’s Britain, continues to cast a long shadow over contemporary...
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Checking The Boxes
I went to Caroline Guiela Nguyen’s Lacrima at BAM with great eagerness and curiosity. This was a...
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FITPTI – International Festival For Young Audiences 2025 – A Northeastern Romanian Story
In Romanian culture, a vital coming-of-age moment for every teenager is their eighteenth birthday,...
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Tanika Gupta’s “Hedda” at the Orange Tree Theatre: A Fresh And Fascinating Reinterpretation Of A Classic Which Foregrounds The Issues Of Race And Empire
In 2023, Malaysian actor Michelle Yeoh won the Best Actress Oscar for her performance in...
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The Queen of Versailles Musical or the Funeral of the “American dream.”
The Queen of Versailles. A New Musical will officially open on Broadway, at the St. James Theatre...
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Adaptations On The German Stage (1): “Sein Oder Nicht Sein” In Bremerhaven
Sein oder nicht sein is a play by Nick Whitby (b.1963), premiered on Broadway in 2008, and first...
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Meghan Tyler’s “Crocodile Fever” at the Arcola Theatre: Northern Ireland Sisters In A Darkly Funny Anti-Patriarchal Feast Of Symbols
Weird scenes inside the farmhouse; weird scenes in Northern Ireland; weird scenes of the 1980s....
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Six-Hour Tour De Force “Hamlet” In Hamburg, Directed, With Many Ironic Self-References, By Veteran Legendary Frank Castorf
This six-hour production of Hamlet took Shakespeare’s play as the starting and end point, in...
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LegalAlien’s “The Flowers of Srebrenica”: Theatre as Healing
The Flowers of Srebrenica should be impossible to stage. Irish academic Aidan Hehir’s book, a...
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Nick Payne’s “The Unbelievers” at the Royal Court Theatre: Latest Play By A Top New Writer Is Disappointingly Unfocused
The Royal Court, Britain’s premiere new writing venue, celebrates its platinum anniversary next...
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Barbarians in Midtown
The Terrence McNally/Stephen Flaherty/Lynn Ahrens musical Ragtime is not the subtlest theater...
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