“All Right. Good Night.:” A Poetic Meditation on the Art of Letting Go
In All Right. Good Night., German docu-theater artist Helgard Haug turns loss into a language. The...
Read More
Featured
Bloody Ignorant Apes
Absurd as it may seem, Samuel Beckett’s Waiting for Godot, a demanding play about existential...
Read More
Taking A Hit
James Graham’s play Punch tells the true story of a shiftless, belligerent rowdy who heedlessly...
Read More
Maestras On The Podium: Women Conductors On Broadway, Then And Now
When I was four years old, I asked my parents for piano lessons. We always had a piano in the...
Read More
“Lale Lili Marleen:” The Promising Relaunch Of A Quaint Chamber Theatre In The Oldest District Of Bremen
The small district of Schnoor in the northern German city of Bremen, consisting of some 100...
Read More
Welcome To The Machine
Among the most depressing facets of Donald Trump’s pathology is how all-consuming his hunger for...
Read More
James Graham’s “Punch” at the Apollo Theatre: Compelling And Emotionally Intense Account Of Restorative Justice
Broken Britain has a big problem with youth. About a million of those aged 16 to 24 are NEETs (not...
Read More
“Full Moon” by Josef Nadj at the Festival of International Alternative Theatre (FIAT) in Montenegro
“By the term theatre we do not only mean its expressive linguistic side, but also the cultural,...
Read More
Debating Identity: Is It Time to Rename Cairo’s Experimental Theater Festival?
The Cairo International Festival for Experimental Theater (CIFET) has long been a vital platform for the boundary-pushing theatrical voices in the Arab world, and beyond. Recently, debates have emerged over whether to keep “experimental” in its name, as the festival faces pressure to broaden its scope and attract wider audiences. The question now is how to balance honoring the festival’s experimental roots while evolving to meet the changing theatrical landscape of the 21st century.
Read More
Conor McPherson’s “The Weir” at the Harold Pinter Theatre: Beautifully Acted Revival Of A 1990s New Writing Classic
Perhaps it’s an indicator of the feebleness of new writing after the pandemic that so many of the...
Read More
Cruelty, Guilt, And Redemption Intertwine In “The Mutt” At IATI Theater
With minimal décor and symbolism in every gesture, The Mutt — an adaptation of Dostoevsky’s The...
Read More
International Project – Dramaturgy Lab: Exploring West Balkan Plays – “Big Deal” By Mia Efremova
Collective interview with Amy Sze (Theatre maker and arts producer, London, UK-Hong Kong), Mia...
Read More
Theatre Is A University, A Lifelong Study Of Human Nature
Interview with Sandra Gribovska Ilievska, theatre actress, Bitola, R. Macedonia Sandra Gribovska...
Read More
Violence and Therapy: 29th International Shakespeare Festival in Gdańsk, Poland, 2025
The International Shakespeare Festival in Gdańsk is not the festival of masterpieces and it never...
Read More
Lessing’s “Emilia Galotti” As Directorial Debut In Bremen
At German theatres, some assistant directors are employed for the duration of a production, from...
Read More
Unbound Curation – The Freedom Of Programming Without Frames
An Interview with Mr. Guy Coolen, art director, producer, manager, Antwerp, Belgium/Rotterdam,...
Read More
“Tired” Of Consuming Postdramatic Theatre (Contemporary Theatre Often Lacks Strong Dialogue)
An Interview with Ana Ristoska Trpenoska, a playwright, dramaturg, Vienna/Skopje, Austria/R.N....
Read More
Shakespeare In The Park At The New Delacorte Theater: Love Is Gender Fluid
In a world where the rule is to make huge efforts to attain an “effortless, relaxed” look, the new...
Read More
To Embrace Vulnerability As One Of My Greatest Strengths (Stronger, Braver, Vulnerable)
An Interview with wonderful talented actresses Jovana Miladinova, Skopje, R.N. Macedonia....
Read More
Edinburgh Festival Fringe 2025 in 22 Shows
This year’s Edinburgh Festival Fringe was as sprawling and invigorating as ever, and expectedly...
Read MoreLike Us On Facebook
Most Popular Posts
Chess The Musical: About Human Nature, Not Politics.… 20th May 2026 - A Theatre Like Society In The Fundamentalist… 23rd May 2026
- David Yazbek: The Master of Adapting Films into… 2nd April 2026
- Theatre – Creating Conditions For What Has… 16th May 2026
- The Precipitation Of Performance: Braddy And Burns… 6th June 2026
- Waking Up in the Spotlight with “The Unusual… 24th March 2026
- “Broken Melody” at MITEM: A Music That Finds Its Way Home 13th May 2026
