Romeo, Juliet, Viola, And Will: “Shakespeare In Love” Mash-Up Hits The Stage
I don’t really go in for creative mash-ups. You know: Alien Vs. Predator, or the films where...
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Cath Day Reviews David Schneider’s “Making Stalin Laugh”: At JW3
David Schneider is probably most recognizable as BBC commissioning editor Tony Hayers in I’m Alan...
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How Online Performance Needs to Grow
This post discusses the emergence and evolution of digital art and online performance in the...
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Bringing Children’s Stories Out Of The Shadows
There are over 200 theaters in Moscow. In addition to the traditional drama and music theaters,...
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“Henry V” Meets The London Blitz And Brings The House Down
Bell Shakespeare’s new production of William Shakespeare’s Henry V–which opened in Canberra on...
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Between Art and Science: A Conversation with Roald Hoffmann
Roald Hoffmann was born in 1937 in Złoczów, Poland. Having survived the German Nazi occupation, in...
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Robin Ashenden Reviews “Bloody East Europeans” By Uilleam Blacker And Molodyi Teatr
In Warwickshire a year ago, a fish-farmer was reported in the newspapers as putting a sign up by...
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“Opus No.7” By Krymov To Be Performed In London
Director and artist Dmitry Krymov’s production of Opus No.7, about the Holocaust and the...
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Treading A Fine Line: The Return Of Politics To Russian Theater
After a long period in which Russian theater productions avoided political themes, the last few...
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Sailing Theater To Embark On Odyssey Around Europe
A theatrical event that recently kicked off in St. Petersburg is to set sail on an unusual voyage....
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Natalya Vorozhbit Writes Verbatim “Maidan” Play
Natalya Vorozhbit is Ukraine’s leading playwright and co-author of Maidan: Voices from the...
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SiGledal – Slovenian Theatre Portal
Now in its 7th year, SiGledal is the only Slovenian theatre web portal that provides information...
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Bard Labour: Doing Time With The Shakespeare Prison Project
Since 2006, I have led the Shakespeare Prison Project, an initiative by the Queensland Shakespeare...
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Natal’ya Vorozhbit’s “Voices Of The Uprising”
Before Maidan events faded from people’s memories, playwright Natal’ya Vorozhbit brought the...
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“Prah” Premiere: Kasia Wroblewska Reviews György Spiro’s New Play
Ignition Stage, a small professional theatre company from Manchester, have taken upon themselves...
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It’s Time To Adapt: We Need A Fully Functioning National Drama
Last year in Australian theatre a rare event took place: a sector-wide debate about the role of...
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Interview with Svetozar Georgiev, Bulgarian Playwright
What is your first childhood memory of theatre? I have no clear memories of the theatre as a...
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Women Directors in Poland
Although historically Polish theatre has gained worldwide renown predominantly thanks to its male...
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Interview with Alberto Conejero Lopez
Alberto Conejero Lopez is a Spanish playwright and director, who has published or premiered more...
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Shakespeare’s Globe: Why The Bard Travels So Well
We’ve been celebrating Shakespeare’s 450th birthday week with fun, festivals, exhibitions, a cake...
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