New Buds on a Fertile Island: New Play Development in Taiwan, Part 2
To read PART I of this essay, go to this link. Prologue Center for New Plays Having worked...
Read More
Featured
Adelaide Cabaret Festival Understands How Its Audiences Long For Connection and Community
Now in its 24th year, the Adelaide Cabaret Festival’s annual celebration of all things cabaret...
Read More![Medea as a Border-Body [Part I]](https://thetheatretimes.com/wp-content/uploads/2024/06/Image-2-627x376.jpg.webp)
Medea as a Border-Body [Part I]
Perhaps the 2024 production of La MaMa’s Medea, under Zishan Ugurlu’s direction and reimagining,...
Read MoreMedea as a Border-Body [Part II]
To read PART I of this essay, go to this link. The snake that Medea uses to make her...
Read More
Theatre Has Gone Underground in Kharkiv – Literally. An Interview with Ukrainian Playwright and Theater-maker Dmytro Ternoviy. Part 1.
I first encountered Dmytro Ternoviy through my Worldwide Ukrainian Play Readings project. His...
Read More
Theatre Has Gone Underground in Kharkiv – Literally. An Interview with Ukrainian Playwright and Theater-maker Dmytro Ternoviy. Part 2.
This is Part 2 of the interview with Dmytro Ternoviy. For Part 1, go here. Dmytro Ternoviy’s...
Read More
At the Intersection of Interactive Mediums: “DIRT” Blends Games and Theater at The Tank
Do you ever wish you could have a say in how your city developed its land? Well, this month, New...
Read More
“Invisible Lands,” Bodies, Gods, and… People
Invisible Lands, a two-performer act, initially presents itself as a nonverbal production with...
Read More
The Bounds, Royal Court
Every day this week I’m watching a football match, and now — after April’s production of Lydia...
Read More
Water for Elephants: a Musical or a Circus Drama?
Everyone knows that musical is a synthetic genre in which a story is being told by means of...
Read More
New Play “American Signs” Looks At The Nefarious World Of Consultancies – But Leaves Australia Off The Hook
Anchuli Felicia King’s new one-performer piece, American Signs, written for the talented Catherine...
Read More
Miangaly Theatre Company: Defining the Stage in Madagascar
They say everyone can be an actor. Any location can transform into a theatre stage. Yet finding a...
Read More
“Pericles” – An Odyssey from Timișoara
Depicting an odyssey on stage is rather a challenge, especially when the main means of transport...
Read More
“Youth Without God;” Unkind, Realistic Reminder
TESZT 2024 brings, from Zagreb Youth Theatre, Borut Šeparović’s production Youth Without God, on a...
Read More
“The Marilyn Conspiracy,” Park Theatre
The death of Marilyn Monroe, on 4 August 1962, is a wet dream for conspiracy theorists. Like the...
Read More
“The Constituent,” Old Vic
Good timing — as the UK’s general election campaign goes into its final week, this large-scale...
Read More
Death Is Funny, Death is Lame, Death is Sudden, Death Can Happen to “Anybody”
A bitter-sweet, funny memento mori (and memento vivere, for that matter), Forte Company – Szkéné...
Read More
Bengaluru Play ‘The Earthquake’ Explores Loneliness Through Unspoken Words
Last Page Collective’s The Earthquake, directed by Samragni Dasgupta, explores the impact of...
Read More
“My Father’s Fable,” Bush Theatre
Following the huge success of Benedict Lombe’s Shifters, which transfers soon to the West End, the...
Read More
“Laughs In Spanish” Review
Laughs in Spanish by Miami native Alexis Scheer is a love letter to her city, specifically the...
Read MoreLike Us On Facebook
Most Popular Posts
David Yazbek: The Master of Adapting Films into… 2nd April 2026 - Maxim Sukhanov – About The “Brew”… 1st May 2026
- “Broken Melody” at MITEM: A Music That Finds Its Way Home 13th May 2026
- Waking Up in the Spotlight with “The Unusual… 24th March 2026
- Theatre – Creating Conditions For What Has… 16th May 2026
- Michael Frayn’s “Copenhagen” at the Hampstead… 14th April 2026
