“Laughs In Spanish” Review
Laughs in Spanish by Miami native Alexis Scheer is a love letter to her city, specifically the...
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Featured
How Padmavati Rao Embraces Life Through Theatre And Activism
Multifaceted in the true sense, Padmavati Rao approaches every character with humility and...
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The Plasticity of Perception: “Babies on the Street: The Show” Brings Internet Drama to The Brick
Hillary Gao and Matthew Antoci adapt an internet tirade and examine perception and forgiveness with Babies on the Street, playing at The Brick in July.
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Liu Xiaoyi’s Creative Revolution
Liu Xiaoyi is a man on a mission. His juice is an imagined world where artists are in the driver’s...
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Exploring A Dystopian World: Where Water Reigns Supreme In Human Transactions
In a world devastated by the apocalypse, where water has become the new currency of human...
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Ali Asghar Dashti & Nasim Ahmadpour – “We Came To Dance” (Kunstenfestivaldesarts)
“Can we fundamentally give a dancer an order to stop moving? […] Is dance not defined as the...
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TESZT 15: Euroregional Theatre Festival Timișoara, Romania (19-26 May, 2024)
Within the rich landscape of Romanian theatre festivals, TESZT has carved out a niche as an...
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Liu Xiaoyi’s Creative Revolution
Liu Xiaoyi is a man on a mission. His juice is an imagined world where artists are in the driver’s...
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Critical Generosity as a Decolonial Praxis
A view on EXÓTICA, by Amanda Piña / Studio Fortuna Art criticism is a stronghold of Western...
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CPH Stage Festival 2024
The 12th annual edition of CPH Stage Festival has come to a close. The cultural highlight that...
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Netherworld or Right Now?
Staged in the round with fewer than 25 people in a white box that feels like a gallery space, The...
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Hopes, Dreams, Revenants and Repetitions: La Zaranda’s “Manual Para Armar Un Sueño/Manual For Building A Dream” At Barcelona’s Teatre Romea
La Zaranda are one of Spain’s best kept theatrical secrets. Not because they are not well known or...
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Sentimentality and Mentality, Apocalypse and Theatrical Eclipse at 69th Sterijno Pozorje
The (Post)apocalyptic Light of the Stage – is the slogan of the 69th Sterijno pozorje, a festival...
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Happy Birthday Nuria Espert: “a Great Actor And a Force of Nature”
Nuria Espert turns 89 today. Hers has been an extraordinary career and it’s not over yet. She has...
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Sanaz Toossi’s English at the Kiln Theatre: Pulitzer Prize-Winning Play Shows the Impacts of a Second Language on Identity
Sanaz Toossi’s English at the Kiln Theatre: Pulitzer Prize-winning play shows the impacts of a second language on identity
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“Homo Pentecostus:” On Queer Intimacies, Religion, Ancestry And The Human Need For Connection
Music pumps; lights pulsate; two sweaty bodies sway together, touching, breathing in each other’s...
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Theatre as Confrontation: Catherine Filloux’s “How to Eat an Orange” at La MaMa
Catherine Filloux is an internationally recognized French-Algerian playwright. Her work revolves...
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“Lie Low,” Royal Court
Faye is okay. Or, at least she says she’s okay. But is she really? And, if she really is okay,...
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Eazees Int’l Women’s Theatre Festival Concludes Its Activities At Cairo Opera House
The Eazees International Women’s Theatre Festival (EIWTF), which kicked off on 16 May, concluded...
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Back to Back’s “Multiple Bad Things” takes a sophisticated look at the moral ambiguities of today’s ‘culture wars’
Back to Back Theatre is an internationally lauded ensemble of collaborators based in Geelong. With...
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