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Sin Muros: Interview with “Then They Forgot About the Rest” Playwright Georgina Escobar

Posted by Trevor Boffone | 7th Jan 2019 | Festivals, Interview, Playwriting, United States of America

This February, playwright Georgina Escobar’s Then They Forgot About the Rest will receive a staged...

Radical Theatre Of The Difabled

Posted by Irfan Kortschak | 6th Jan 2019 | Essay, Indonesia, Theatre and Disability

“Theatre is the art of looking at ourselves” – Augusto Boal, founder of the...

Ellie Kendrick’s “Hole” at The Royal Court

Posted by Aleks Sierz | 5th Jan 2019 | London, Review, United Kingdom

Actor Ellie Kendrick is a familiar face on television, but it’s as a writer that she reveals the...

My Life In Russia: Life Of Ballet Dancer Xander Parish

Posted by Yulia Shamporova | 4th Jan 2019 | News, Russia, Theatre and Dance

Meet Xander Parish, the principal dancer of the famous Mariinsky Theater in St. Petersburg. He...

“Anna Karenina Musical” At The Moscow Operetta Theatre

Posted by Emily Couch | 3rd Jan 2019 | Musical Theatre, News, Russia

Anna Karenina at the Moscow Operetta Theatre is an original musical adaptation of Leo Tolstoy’s...

The Magic Mountain: Cough Medicine

Posted by Emiliia Dementsova | 2nd Jan 2019 | Review, Russia

Emiliia Dementsova reports from Moscow with a review of Konstantin Bogomolov’s The Magic...

For Whom Technology Tolls

Posted by Vikram Phukan | 1st Jan 2019 | India, Review, Transmedia

For those of us that are perennially nostalgia bound—even for the sepia-tinted memories of the...

Foibles Of Upper-Class Philanderers

Posted by Vikram Phukan | 31st Dec 2018 | India, Review, Translation

The irreverent stage persona of Naseeruddin Shah, cocking a snook at societal mores and...

Shakespeare In South African Schools: To Die, To Sleep–Or Perchance To Dream?

Posted by Chris Thurman | 30th Dec 2018 | Interview, South Africa, Theatre and Decolonization

South Africa’s education authorities are reviewing the school curriculum. Basic Education Minister...

On The Road To New Experiences, Post-SMAP, With Tsuyoshi Kusanagi

Posted by Nobuko Tanaka | 29th Dec 2018 | Acting, Interview, Japan, Theatre and Film

It has been almost two years since pop group SMAP split up, but its demise after over two decades...

“The Factory”: Play Explores Murky Nexus Of Western Business And Syrian War

Posted by Gouri Sharma | 28th Dec 2018 | Germany, Review, Syria, Theatre and Politics

The play is based on the charges against one of France’s biggest companies, Lafarge, and how...

Freemuse Report On Women And Artistic Freedom: Copenhagen, 29. November 2018

Posted by Grete Tiigiste | 28th Dec 2018 | News, Theatre and Gender, Theatre and Politics

In collaboration with Yildiz Akdogan MP and KVINFO, Freemuse launched its new report on women and...

Performance Entre Le Réel Et Le Virtuel: Le Projet “Odiseo.Com”

Posted by Andre Carreira | 27th Dec 2018 | Brazil, Essay, Transmedia

Performance Between the Real and the Virtual: The Odiseo.com Project I will focus here on the...

Persian Hippolyte: Hybrid Performance Cultures, Hybrid Identity, And Hybrid Technology

Posted by Proshot Kalami | 27th Dec 2018 | Essay, Iran, Transmedia

In 2013, Goosan Artistic Group, an Iranian group of performance artists, created a promenade...

“Barber Shop Chronicles”: Man Talk In A Man’s World

Posted by Jane Baldwin | 26th Dec 2018 | Nigeria, Review, Theatre and Gender, United Kingdom

Inua Ellams’ Barber Shop Chronicles, his first full-length play, was a smash-hit when it opened in...

Review: “Other People’s Children” Cracks Open Postpartum Intimacy And Labor

Posted by Sarah J Culkin | 26th Dec 2018 | Canada, Review

Montreal, Québec Sarah J Culkin reviews Imago Theatre’s production of Other People’s Children by...

ETL Wins The Heritage In Culture Award 2018

Posted by European Theatre Lab | 26th Dec 2018 | Belgium, News, Theatre and Politics

The European Theatre Lab is very proud to announce that the project won Spotlight on Heritage in...

Violent Clowns And Panto Dames: The Origins Of “Rocky Horror’s” Frank-N-Furter

Posted by Anna-Sophie Jürgens | 25th Dec 2018 | Essay, United Kingdom

Dr. Frank-N-furter, the snappy alpha-alien who stars in The Rocky Horror (Picture) Show, is one of...

“An Enemy Of The People”: The Not-So-Silent Majority Speaks Out Again

Posted by Nobuko Tanaka | 25th Dec 2018 | Directing, Interview, Japan, Theatre and Politics

In one bound, the rising English director Jonathan Munby found himself in the spotlight of...

Egypt’s Puppet Show Al-Aragouz Joins UNESCO’s Intangible Cultural Heritage List

Posted by Daily News Egypt and MENA | 24th Dec 2018 | Egypt, News, Puppetry

Egypt’s most famous and oldest traditional children’s puppet show, El-Aragouz, was accepted...

Featured

Sin Muros: Interview with “Then They Forgot About the Rest” Playwright Georgina Escobar

Radical Theatre Of The Difabled

Ellie Kendrick’s “Hole” at The Royal Court

My Life In Russia: Life Of Ballet Dancer Xander Parish

“Anna Karenina Musical” At The Moscow Operetta Theatre

The Magic Mountain: Cough Medicine

For Whom Technology Tolls

Foibles Of Upper-Class Philanderers

Shakespeare In South African Schools: To Die, To Sleep–Or Perchance To Dream?

On The Road To New Experiences, Post-SMAP, With Tsuyoshi Kusanagi

“The Factory”: Play Explores Murky Nexus Of Western Business And Syrian War

Freemuse Report On Women And Artistic Freedom: Copenhagen, 29. November 2018

Persian Hippolyte: Hybrid Performance Cultures, Hybrid Identity, And Hybrid Technology

“Barber Shop Chronicles”: Man Talk In A Man’s World

Review: “Other People’s Children” Cracks Open Postpartum Intimacy And Labor

ETL Wins The Heritage In Culture Award 2018

Violent Clowns And Panto Dames: The Origins Of “Rocky Horror’s” Frank-N-Furter

“An Enemy Of The People”: The Not-So-Silent Majority Speaks Out Again

Egypt’s Puppet Show Al-Aragouz Joins UNESCO’s Intangible Cultural Heritage List

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