Alternative Worlds and Dream Worlds
Katrin Brack and Barbara Ehnes, two set designers, have influenced and even changed the theatre....
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Essay
Contemporary New Play Development in Italy: A Playwright Shares Her Experience
“While Italy this year is celebrating 150 years as a single nation state, in many fields any sense of unity is still tenuous. Theatre and contemporary playwriting are no exceptions to this rule.” – Margaret Rose
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“An Enemy of the People”: The Egyptian Experience
It was September 2012 that I had decided to stage An Enemy of the People, by Henrik Ibsen. A play...
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Theatre Projects of Refugee Artists
On the German stage refugees are still often the authentic narrators of their fate, directed by...
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Is There a Peruvian Theatre Canon? Part One: “Ipacankure” (1968) by César Vega Herrera
How to determine which works of theatre belong in a canon is a perennial question, especially...
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Dramaturgical Practice – Some Thoughts On Working On Actions in Performance
For three years, between 2013-2016, we regularly invited theatre-makers, choreographers,...
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New Plays in Germany
The new theatre texts that have been presented in the 2015/16 season at play markets in...
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The Others: Ensemble Workshops with Syrian Refugees
I moved to Lebanon this August to join the faculty of ACS at Beirut, after having spent six years...
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The Labor of Sense-Making
The labor of sense-making On spectatorship and the oracular potential of art To make sense We are...
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The Origin of Armenian Theatre and Transformation of Theatrical Process.
The 20th century became a critical point for Armenian theatre. The development of artistic process...
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Welsh Theatre – Curse or Blessing?
“Though we have a nascent theatre tradition, we do have a long tradition of performance…Our writers are indicative of a nation that is still wrestling…with positive identifications of self.” – Ian Rowlands
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Gianina Cărbunariu: Documentary Theatre With Political Focus
A powerful trend in Romanian new drama in the past few years focuses on re-discovering of the...
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The Vrystaat Kunstefees: Developing Creative Industries in the Free State, Part I
The Vrystaat Arts Festival aims to contribute to the exchange of ideas around art, culture, and...
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What Is Devised Theatre?
Depending on who you talk to, devised theatre has numerous definitions. Eric Grode on the TDF...
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“I Am Not a Nazi, But…”- Plays on the Swing to the Right
The German theatre has responded to the swing to the right in society. It has thereby proceeded to...
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Egyptian-German Collaboration: My Journey in Earthport
Earthport was performed in Berlin and Cairo in 2016. This article is based on the Berlin...
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Shifting Perspectives in the Contemporary Israeli Political Theatre
The late Israeli critic, Dr. Shosh Avigal, wrote in 1996 that: “It is private life that is...
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Kyôgen Comedies’ Embedded Dramaturgy: 13 Lessons for Theater Practitioners
Kyôgen (狂言) are short, stylized comedies performed between somber masked-dance noh (能) for over...
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Sequins and Symphonies: How Opera Ran Away With the Circus
Circus has always shamelessly borrowed from other performance forms. It has coopted all types of...
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DramAcum Movement in New Romanian Theater
In key historical moments, theater, as the most political of all arts, is one of the best ways to...
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