Krzysztof Warlikowski’s Queer Interventions
In Poland, the emergence of a public dialogue on alternative sexuality was first and foremost...
Read MorePosted by Bryce Lease | 17th Oct 2016 | Essay, LGBTQ+ Theatre, Poland
In Poland, the emergence of a public dialogue on alternative sexuality was first and foremost...
Read MorePosted by Marjan Moosavi | 16th Oct 2016 | Essay, Iran
Muharram, the first month of the Islamic (lunar) calendar, coinciding this year with the seventh...
Read MorePosted by Ulrike Kahle-Steinweh | 15th Oct 2016 | Design, Essay, Germany
Katrin Brack and Barbara Ehnes, two set designers, have influenced and even changed the theatre....
Read MorePosted by Margaret Rose | 15th Oct 2016 | Dramaturgy, Essay, Italy, Playwriting
“While Italy this year is celebrating 150 years as a single nation state, in many fields any sense of unity is still tenuous. Theatre and contemporary playwriting are no exceptions to this rule.” – Margaret Rose
Read MorePosted by Nora Amin | 13th Oct 2016 | Adaptation, Applied Theatre, Egypt, Essay
It was September 2012 that I had decided to stage An Enemy of the People, by Henrik Ibsen. A play...
Read MorePosted by Dorothea Marcus | 12th Oct 2016 | Essay, Germany, Theatre and Politics
On the German stage refugees are still often the authentic narrators of their fate, directed by...
Read MorePosted by Mary Barnard | 12th Oct 2016 | Essay, Peru
How to determine which works of theatre belong in a canon is a perennial question, especially...
Read MorePosted by Konstantina Georgelou, Efrosini Protopapa, and Danae Theodoridou | 9th Oct 2016 | Dramaturgy, Essay
For three years, between 2013-2016, we regularly invited theatre-makers, choreographers,...
Read MorePosted by Christine Wahl | 9th Oct 2016 | Essay, Germany, Playwriting
The new theatre texts that have been presented in the 2015/16 season at play markets in...
Read MorePosted by Dyane Stillman | 5th Oct 2016 | Applied Theatre, Essay
I moved to Lebanon this August to join the faculty of ACS at Beirut, after having spent six years...
Read MorePosted by Julien Bruneau | 3rd Oct 2016 | Dramaturgy, Essay
The labor of sense-making On spectatorship and the oracular potential of art To make sense We are...
Read MorePosted by Ani Harutyunyan | 30th Sep 2016 | Armenia, Directing, Essay
The 20th century became a critical point for Armenian theatre. The development of artistic process...
Read MorePosted by Ian Rowlands | 30th Sep 2016 | Dramaturgy, Essay, United Kingdom
“Though we have a nascent theatre tradition, we do have a long tradition of performance…Our writers are indicative of a nation that is still wrestling…with positive identifications of self.” – Ian Rowlands
Read MorePosted by Cristina Modreanu | 29th Sep 2016 | Documentary Theatre, Essay, Romania, Theatre and Politics
A powerful trend in Romanian new drama in the past few years focuses on re-discovering of the...
Read MorePosted by Ricardo Peach | 29th Sep 2016 | Essay, Festivals, Participatory Theatre, South Africa
The Vrystaat Arts Festival aims to contribute to the exchange of ideas around art, culture, and...
Read MorePosted by Martine Kei Green-Rogers | 28th Sep 2016 | Devised Theatre, Essay
Depending on who you talk to, devised theatre has numerous definitions. Eric Grode on the TDF...
Read MorePosted by Christine Wahl | 22nd Sep 2016 | Essay, Germany, Theatre and Politics
The German theatre has responded to the swing to the right in society. It has thereby proceeded to...
Read MorePosted by Fadi Fayad Skeiker | 20th Sep 2016 | Essay, Theatre and Politics, Transcultural Collaborations
Earthport was performed in Berlin and Cairo in 2016. This article is based on the Berlin...
Read MorePosted by Gad Kaynar | 18th Sep 2016 | Essay, Israel
The late Israeli critic, Dr. Shosh Avigal, wrote in 1996 that: “It is private life that is...
Read MorePosted by Jonah Salz | 15th Sep 2016 | Dramaturgy, Essay, Japan
Kyôgen (狂言) are short, stylized comedies performed between somber masked-dance noh (能) for over...
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