“In What Time Do We Live?” Time and Distance in the Work of Toshiki Okada
In May 2016, Japanese writer and director Toshiki Okada presented his latest production, Time’s...
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Essay
Adapting a Theatre Myth into a Popular Myth: the case of Don Juan’s “Statue of the Commander” in Naples
The origin of the figure of Don Juan and, at the same time, of the related Statue of the Commander...
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Daring to See Red: Theater Company Gorae’s “Red Poem”
Theatre Company Gorae’s Red Poem, written and directed by company founder Lee Hae-Sung, recently...
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The Union of Sicilian Puppetry and Contemporary Dance: Virgilio Sieni and Mimmo Cuticchio in Palermo
Virgilio Sieni is one of the most important Italian dancers and choreographers, and Mimmo...
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New Zealand Dramaturgy: A Maverick Undertaking in 2016, Part I
Playwright and dramaturge Gary Henderson points out that classic rugby analogies, although...
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In Today’s Popular Shows, Shakespeare’s Iconic Characters Live On
Though Shakespeare’s death didn’t attract much attention in 1616, it’s big news today. To mark its...
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Censorship and Collaboration: A Look at Korean Theatre in 2016
At this moment, 2017 promises to be a challenging year for Korean theatre, as it carries over the...
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Sending the Spectator Abroad: Some Reflections on Theatre Translation
How does the work of translation affect how we read, understand and spectate? How do translations...
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Shaman Kim Keumhwa’s Ritualistic Theatre: Engaging With The Spirit World
This essay by Lauren W. Deutsch describes in meticulous detail a few days in the life of renowned...
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A Brief History Of Pantomime And Its Importance Now
It’s the time of year when drag collides with family entertainment. Yes, the British pantomime...
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Romeo Castellucci: Theatre’s Childhood Rediscovered
The Socìetas Raffaello Sanzio is well known by its iconoclastic profile that renovates the...
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Introducing the Politically Incorrect Theatre
A review of Jeton Neziraj’s play Carla del Ponte trinkt in Pristina einen Vanilla Chai Latte,...
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Superdiversity in Youth Theatre
The realization that our society is becoming superdiverse is more topical than ever. Even more...
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Yury Grigorovich, A Living Symbol of the Bolshoi
As Yury Grigorovich, one of Soviet ballet’s greatest figures, turns 90 on Jan. 2, the Bolshoi and...
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Changes in Theatre: The Role of Theatre Curator in Modern Armenian Theatre.
Given the recent political changes in Armenia, and especially in Yerevan, it is time to analyze...
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Failing to Understand Together: What Is Theatre Seeking In Current Affairs?
From the ‘crisis play’ to the ‘memorial play’ to the ‘Syria play,’ current affairs are doing well...
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The Vrystaat Kunstefees: Developing Creative Industries in the Free State, Part II
Read Part I here. The Vrystaat Arts Festival aims to contribute to the exchange of ideas around...
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Dramaturgies of Generosity: The Theatre of BADco.
BAD co.- is one of the most interesting theatre groups from Croatia. The ensemble, lead by stage...
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A Dramaturg’s Process in NYMF’s NextLink Project
It is much more challenging to dramaturg a musical than a straight play because there are so many more elements to consider, assess, and attempt to balance out. I examine each song in the score in terms of style, tempo, tone, melody, and length.
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The Reinvention Of The Family Play Genre
In many German municipal and state theaters, the Advent season is the starting shot for the...
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