“Unknown” Polish Directors: Anna Augustynowicz
This series will introduce Polish directors whose work is recognised in Poland, but they are...
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Essay
London: Three Controversies About National Identity
This year has got off to a very slow start, with exciting new British plays being exceedingly...
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Remembering Sarah Kane
When Sarah Kane was still alive, it was vital to support her work — her style was so raw, so...
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Who Was Mary? And How Plausible is Colm Tóibín’s Reconstruction of Her?
Colm Tóibín’s play and the Booker-nominated novella The Testament of Mary aims to “demythologise”...
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Dispelling The Myths Of Circus
“Sweet is the lore which Nature brings; Our meddling intellect Mis-shapes the beauteous form of...
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Witnessing The Battle Scene
THE BATTLE SCENE SCORE The stage is a raft on water. On stage, there are remains of a shipwreck:...
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“Synaesthetics”: Gopala Davies’ Explorations In Intermediality
South African Indian actor and director Gopala Davies’s production of Les Cenci: A Story About...
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A History Of The Transient In-Yer-Face Theatre
Whether or not it really is a foreign country, the past has a tendency to feel like it’s a long...
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The Magic Theatre of Emanuele Luzzati: A Documentary Exhibition at the Filatoio Rosso in Caraglio
Ten years ago, on 26 January 2007, Emanuele Luzzati died, in Genua. He was one of Italian...
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New Zealand Dramaturgy: A Maverick Undertaking in 2016 Part II
This is Part II of the series on dramaturgy in New Zealand. For Part I, click here. Dramaturgy is...
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Taiwan’s National Taichung Theater Celebrates Its Soft Launch through Epic, Ritualistic and Environmental Performances
As the darkness creeps in, the already crowded plaza in front of the National Taichung Theater...
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“In What Time Do We Live?” Time and Distance in the Work of Toshiki Okada
In May 2016, Japanese writer and director Toshiki Okada presented his latest production, Time’s...
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Adapting a Theatre Myth into a Popular Myth: the case of Don Juan’s “Statue of the Commander” in Naples
The origin of the figure of Don Juan and, at the same time, of the related Statue of the Commander...
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Daring to See Red: Theater Company Gorae’s “Red Poem”
Theatre Company Gorae’s Red Poem, written and directed by company founder Lee Hae-Sung, recently...
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The Union of Sicilian Puppetry and Contemporary Dance: Virgilio Sieni and Mimmo Cuticchio in Palermo
Virgilio Sieni is one of the most important Italian dancers and choreographers, and Mimmo...
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New Zealand Dramaturgy: A Maverick Undertaking in 2016, Part I
Playwright and dramaturge Gary Henderson points out that classic rugby analogies, although...
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In Today’s Popular Shows, Shakespeare’s Iconic Characters Live On
Though Shakespeare’s death didn’t attract much attention in 1616, it’s big news today. To mark its...
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Censorship and Collaboration: A Look at Korean Theatre in 2016
At this moment, 2017 promises to be a challenging year for Korean theatre, as it carries over the...
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Sending the Spectator Abroad: Some Reflections on Theatre Translation
How does the work of translation affect how we read, understand and spectate? How do translations...
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Shaman Kim Keumhwa’s Ritualistic Theatre: Engaging With The Spirit World
This essay by Lauren W. Deutsch describes in meticulous detail a few days in the life of renowned...
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