Taurie Kinoshita

regional managing editor

taurie@hawaii.edu

Taurie Kinoshita is a director, playwright and teacher. She teaches history, acting and dramatic production at Windward Community College in the University of Hawaii system, and is chair of the Play Development Committee.

Radical Representation: “Hi, Are You Single” Engages and Triumphs

Posted by Taurie Kinoshita | 24th Feb 2021 | Hawaii, LGBTQ+ Theatre, Review, Theatre and Disability, United States of America

Hypnotically charming, exquisitely flamboyant and the very embodiment of wit, Ryan J. Haddad wrote...

Read More

An Interview With Christine Lamborn: Western Actor’s Perspective On ”Kyogen”

Posted by Taurie Kinoshita | 18th Jan 2018 | Acting, Hawaii, Interview, Transcultural Collaborations

The University of Hawaii at Manoa (UHM) is internationally recognized as the best university-based...

Read More

Casting In Multiethnic And Multiracial Context: Changing Perspectives

Posted by Taurie Kinoshita | 18th Jan 2018 | Essay, Hawaii, Transcultural Collaborations

Though I never met my great-grandfather, I was told he was fond of saying “Lucky we come...

Read More

Hawaii Theatre Guide

Posted by Taurie Kinoshita | 16th Dec 2016 | Hawaii, News, United States of America

Popular images of Hawai’i are those of dancing women in provocative grass skirts adorned with...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Sharing Crafts, Or Laboratory Space by Kiki Selioni 12th January 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
Writing Across Taiwan and Macau: An Interview with… by Kuan-Ting Lin 6th January 2026
“With Ruby and I” – review –… by Verity Healey 3rd January 2026
Echoes of a Crumbling Republic: Review of… by Susanna Sun 4th January 2026
“El entusiasmo” (The Enthusiasm) at… by Maria Delgado 26th December 2025
Alan Ayckbourn’s Woman in Mind at the Duke of York’s… by Aleks Sierz 8th January 2026
What Happens In Mecca, Stays In Mecca:… by Marina Johnson 31st December 2025
Leading with Risk, Trust, and Intuition: An… by Susanna Sun 7th January 2026
Truth and Reconciliation in “Under the Shade… by Verity Healey 2nd January 2026

Recent Posts

Santiago’s Teatro a Mil 2026: theatre, democracy and artistic responsibility 4th February 2026
“A Place Of Safety, A Journey In The Central Mediterranean” 3rd February 2026
Kia Mau Festival Brings Hana Keaka (Hawaiian Language Theatre) to Aotearoa: “Puana” by Tammy Haili‘ōpua Baker 29th January 2026
“Before The Storm” (“Prima Del Temporale”) At Milan’s Piccolo Teatro 27th January 2026
How to Make Rube Goldberg Punk Rock: Narcissister’s “Voyage Into Infinity” 27th January 2026
Martin Crimp’s Version Of “The Seagull” Makes It To The German Stage 26th January 2026
Under The Radar Fest: Testo 23rd January 2026
Sharing Crafts, Or Laboratory Space 12th January 2026
For Bremen’s Re-Launched Packhaustheater, The Emphasis Shifts From Local Topics To Local Acting Celebrities 8th January 2026
Alan Ayckbourn’s Woman in Mind at the Duke of York’s Theatre: Starry West End Staging Is More Visually Delightful Than Emotionally Compelling 8th January 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest