Daily Life under State Violence: Interview with South Korean Playwright Yun Mi Hyun, Part 2
To read Part 1 of this interview, click here. Nahm: Let’s talk now about Texas Aunt. I said...
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Kee-Yoon Nahm
Daily Life under State Violence: Interview with South Korean Playwright Yun Mi Hyun, Part 1
Yun Mi Hyun is a playwright based in South Korea. After writing fiction and poetry in her early...
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Entering “Yellow Inn”: A Conversation Between the Playwright and Translator, Part 2
To read Part 1 of this interview, click here. TRANSLATION AND ADAPTATION For the Illinois State...
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Entering “Yellow Inn”: A Conversation Between the Playwright and Translator, Part 1
Interview and translation by Kee-Yoon Nahm with contributions from Laura Gisondi. Lee Kang-baek is...
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Following The #MeToo Movement In Korean Theatre
In the past few months, the Korean theatre scene has been under intense public scrutiny as...
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Electra Takes Revenge into Her Own Hands
In Han Tae-sook’s Electra (LG Arts Center, April 26–May 5, 2018), the mourning daughter doesn’t...
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Leaving for Good: Two New Plays on Korean Immigrants and the Cold War | Part 2
This is Part 2 of a two-part article. Read Part 1 here. From Caregiver to Citizen The Nurses, Who...
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Leaving for Good: Two New Plays on Korean Immigrants and the Cold War | Part 1
The word dongpo, a term that refers affectionately to the sizable Korean immigrant community...
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Sculptures Reflect On The Space They Occupy In “Ten Years, Please”
In 2007, visual artist Jewyo Rhii and curator Hyunjin Kim held an unusual exhibition titled Ten...
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Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part III
Award-winning South Korean playwright and educator Ko Yeon-ok reflects about her teaching practice...
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Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part II
Award-winning South Korean playwright and educator Ko Yeon-ok reflects about her teaching practice...
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Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part I
Award-winning South Korean playwright and educator Ko Yeon-ok reflects on her teaching practice in...
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A Place to Remember: “Oedipus – Those Who Want to See”
It has only been one hundred days into President Moon Jae-In’s administration, but the new...
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Rebuilding the Public Theatre: The Black Tent Project in Gwanghwamun Square
On January 8th, a group of artists and activists erected a large tent in Gwanghwamun Square and...
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Daring to See Red: Theater Company Gorae’s “Red Poem”
Theatre Company Gorae’s Red Poem, written and directed by company founder Lee Hae-Sung, recently...
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Korean-German Collaboration “Walls–Iphigenia in Exile” Premieres in Gwangju and Berlin
Walls–Iphigenia in Exile, the result of a four-year collaboration between South Korean and German...
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The 2016 Seoul Performing Arts Festival Kicks Off
The 2016 Seoul Performing Arts Festival (SPAF) opened on September 30th, initiating a month-long...
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