“The Cherry Orchard”: The Comedy Of Ruins
Nikolai Kolyada’s The Cherry Orchard begins after loss has already become the furniture of the...
Read MoreEmiliia is a creative writer, theatre critic, editor and lecturer. She holds a PHD in theatre from the Lomonosov State University Faculty of Arts, having written her dissertation on the contemporary auteur and neo-auteur theatre. Poet, playwright, participant of anti-war projects Nowarpoetry, ROAR and others. Author of the international anti-war project/action Alphabet of salvation, dedicated to Ukrainian victims of military aggression. She is a member of the International Association of Theatre Critics. Emiliia has acted as a cultural columnist for Critical Stages, European Stages, The Hollywood Reporter, Arti dello Spettacolo/Performing Arts, Teatro, Novaya Gazeta, Discours.io, Theatre World, etc. Participant in The Conflict Zones (theatre project by The Union of the European Theatres). Author of more than 500 publications about theatre and cinema. She is author of the course Profession: Theatergoer in Central House of the Journalists. The winner of the prizes (I place) - "Golden Pen", "Native Speech", International Tutchev Prize, "Yousmi Web-Journalism Awards" in the nomination "The Best Review Among Professionals" , Diploma of the International Press Club award called Challenge – XXI century for a series of theatre reviews she authored. Winner of the international literary competition of the International guild of writers "Across Chekhov" in the nomination "Essay". Judge of the theatre festival laboratory "Scene of action" and pitching of young scriptwriters Author of solo performance "Without intermission": theatre, art reading, lecture. Participant and speaker more than 50 conferences and forums including "Theatre – an era of changes", "YOULEAD", "YouthVoice", "The modern European theatre", WORD><STAGE Stage words: inter-semiotic and inter-linguistictranslation of dramaturgic, literary and theatre theory texts (Dipartimento di Lingue, Letterature e Culture Moderne (LILEC), Bologna). She is a scholar of the Oxford Fund and Italian government grant for foreign citizens. Grantee and participant of the project With and From One Another: Exchange of Cultural Actors, (Ludwig Maximilian University of Munich) Scholar of the International innovative forum "Interra". Co-author of several books including Almanac of modern writers, 100 contemporaries about Yuri Lyubimov and others. Author and presenters of the Cultural Environment program at the Radio Journalist. Member of the jury of the Polish film festival "Wisła". Selector of the Kyoto Prize in Art and Philosophy and the European Theatre Award. Member of literary volunteer program helping blind and weak-sighted people (recording audiobooks for the blind).
Posted by Emiliia Dementsova | 15th May 2026 | Hungary, Poland, Review
Nikolai Kolyada’s The Cherry Orchard begins after loss has already become the furniture of the...
Read MorePosted by Emiliia Dementsova | 13th May 2026 | Hungary, Review
There are productions that do not so much tell a biography as listen to it and Sardar Tagirovsky’s...
Read MorePosted by Emiliia Dementsova | 12th May 2026 | Festivals, Hungary, Review, Serbia
Nina Plavanjac’s The Aquarium, produced by the Subotica National Theatre in Serbia and presented...
Read MorePosted by Emiliia Dementsova | 8th May 2026 | Festivals, Hungary, Review, Theatre and Disability
Davide Iodice’s Pinocchio. What Is a Person?, created with Scuola Elementare del Teatro /...
Read MorePosted by Emiliia Dementsova | 14th Apr 2026 | Festivals, Hungary, Theatre and Politics
MITEM (Madách International Theatre Meeting), held annually at the National Theatre in Budapest,...
Read MorePosted by Emiliia Dementsova | 5th Aug 2025 | Adaptation, Azerbaijan, Review, Theatre and Politics
A provincial theatre celebrates an anniversary. In the dressing room — two men: a comic and a...
Read MorePosted by Emiliia Dementsova | 25th Oct 2023 | Directing, Festivals, Hungary, Review, Theatre Olympics 2023
One of the most popular dishes in French cuisine is tartare. Diced beef with egg yolk and lots of...
Read MorePosted by Emiliia Dementsova | 18th Oct 2023 | Georgia, Review, Theatre Olympics 2023
The 10th MITEM Theatre Festival continues to showcase the theatre achievements of Hungarian...
Read MorePosted by Emiliia Dementsova | 17th Oct 2023 | Czech Republic, Festivals, Review, Theatre and Politics, Theatre Olympics 2023
This is the story of the Big Bang. Not the explosion that gave birth to the universe. But an...
Read MorePosted by Emiliia Dementsova | 11th Oct 2023 | Adaptation, Festivals, Germany, Review, Theatre and Film, Theatre Olympics 2023
These two people are separated by history, geography, language, maths, and other school subjects...
Read MorePosted by Emiliia Dementsova | 9th Oct 2023 | Festivals, Romania, Theatre Olympics 2023
The 10th edition of the Madách International Theatre Meeting in Budapest coincided with the Jewish...
Read MorePosted by Emiliia Dementsova | 8th Oct 2023 | Czech Republic, Festivals, Hungary, Poland, Puppetry, Review, Theatre for Young Audiences
“The life of man to represent, And turn it all to ridicule, Wit did a puppet-show...
Read MorePosted by Emiliia Dementsova | 27th Sep 2023 | Festivals, Hungary, News
Budapest is becoming a vibrant place and proving highly attractive to theatre lovers. All the...
Read MorePosted by Emiliia Dementsova | 9th Aug 2023 | Azerbaijan, Dramaturgy, Interview
Ulviyya Heydarova: “I switch on my computer, open Word and put my heart and thoughts into...
Read MorePosted by Emiliia Dementsova | 1st May 2023 | Hungary, Musical Theatre, Review, Theatre and Politics, Theatre Olympics 2023
Young Barbarians – director: Attila Vidnyánszky Jr. They say the best way to get to know each...
Read MorePosted by Emiliia Dementsova | 26th Apr 2023 | Adaptation, Greece, Review, Theatre and Politics, Theatre Olympics 2023
No matter how trends, themes, agendas and moods of society change, the focus of the study of art...
Read MorePosted by Emiliia Dementsova | 25th Apr 2023 | Adaptation, Greece, Review, Theatre and Gender, Theatre Olympics 2023
Get inside a woman’s head and, by understanding her, unravel the mystery of how the world...
Read MorePosted by Emiliia Dementsova | 24th Mar 2023 | Festivals, Hungary, News, Theatre and Politics, Theatre Olympics 2023
When the world is engulfed in flames of enmity, would another flame be superfluous? Not if it is...
Read MorePosted by Emiliia Dementsova | 20th Dec 2022 | Azerbaijan, Festivals, News, Review, Theatre Olympics 2023
When the non-peaceful world is illuminated by the bursts of shells, it seems that other...
Read MorePosted by Emiliia Dementsova | 2nd Oct 2022 | Adaptation, Review, Russia, Theatre and Politics
Musical drama of unlearned lessons is perhaps the most appropriate definition for Evgeny...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 


Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 
