Vivacious and Unapologetic, “The Rover’s” 17th-century Feminism is Painfully Pertinent
The Rover, now on at Belvoir Theatre in Sydney, starts unexpectedly, with long-dead 17th-century...
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Claire Hansen
Bell Shakespeare’s “Hamlet” Reviewed: The Same Great Themes In Some Strange New Haunts
Today, Shakespeare’s Hamlet is a play that haunts itself. Its saturation into cultural...
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Review: “The Merchant Of Venice,” Shakespeare’s Comedy Of Cruelty
The Merchant Of Venice (first published in 1600) boasts a problematic and sometimes controversial...
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Hugo Weaving Reveals Macbeth’s Weakness–And His Unhappiness
Sydney Theatre Company’s new production of Macbeth may draw attention for its star, Hugo Weaving,...
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“Henry V” Meets The London Blitz And Brings The House Down
Bell Shakespeare’s new production of William Shakespeare’s Henry V–which opened in Canberra on...
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Review: Love And War In “All’s Well That Ends Well”
Love is a battlefield. While Pat Benatar might have made this line her own in the 1980s,...
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