“The Shadow Whose Prey the Hunter Becomes”: Who Decides Who We re?
In 2009 I wrote an email to the artistic director of Back to Back Theatre, Bruce Gladwin, gushing...
Read More
Bryoni Trezise
In Suzie Miller’s “Prima Facie,” Theatre Finds a Voice of Reckoning on Sexual Assault and The Law
Suzie Miller’s one-woman play Prima Facie is an unsparing study of the Australian legal system’s...
Read More
“The Long Forgotten Dream” Raises Uneasy Questions About Performance And Colonization
A large, ochred sail swells, rolls and eases in the heavens of the stage. It forms both ceiling...
Read More
“The Town Hall Affair” Brings Germaine Greer’s 1970s Feminist Debate Roaring Into The Present
The moment was 1971, Labour Day’s eve. The context: a biting critique of feminism published by...
Read More
“Mr Burns”: Post-Apocalyptic Simpsons Musical Shows Theatre’s Future Is Dazzling
There has been a nuclear event. The grid is down. The radio is out. Most are dead, and those who...
Read More
“Twelfth Night” and Cross-Mobility Casting
Renowned Shakespearean actor Robert Armin wrote in 1608 of the difference between a “natural” and...
Read MoreLike Us On Facebook
Most Popular Posts
Olga Braga’s “Donbas” at Theatre 503: Complex… 20th February 2026 - “The Phantom Of The Opera” Returns To Mexico: A… 12th December 2025
- Isolation, Consumer Desire and the Human Spirit: A… 2nd March 2026
- “Is Love Energy Or Matter?” An Interview With Rok… 11th March 2026
- “Digital Access To The Performing Arts”… 7th March 2026
- Picasso’s “Barber” At The Spanish… 24th February 2026
- Marketing, Sales And Production Are Crucial For The… 16th March 2026
