A Son, His Father, and Steampunk: Reliving Days of Future Past
Filmmaker Sun Yang discusses his recent documentary about visual artist Ma Liang, also known as...
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Chinese Theatre Archives
Transnational Chinese Theatres in Pandemic Times
I have hesitated for a while to engage with the increasingly ubiquitous “[insert own subject...
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Chinese Director Wang Chong Publishes “Online Theatre Manifesto”
The Lunar New Year of 2020 struck Chinese people as unprecedented as Coronavirus forced Wuhan to...
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The Show Must Go On: How Cirque de Soleil Survived China’s Lockdown
Zhejiang, East China — Even by circus standards, the past 12 months have been a wild ride for...
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How “Hamilton” Got Chinese Thinking About Who Tells Their History
Viewers in the People’s Republic have embraced Lin-Manuel Miranda’s unconventional approach to...
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“Sisters” Act: The Hollow Feminism Of China’s Hottest New Show
For the most talked-about show of the summer, Mango TV’s Sisters Who Make Waves has an unusual...
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Tianjiao Li and Xuexi Li On The Pandemic And Post-Pandemic Theatre
Tianjiao Li and Xuexi Li from Quirky Moth Theatre – China’s leading theatre company – respond to...
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Adapting Traditional Chinese Theater For The Modern Day: An Interview With Xuexi Li And Tianjiao Liu
This interview with Xuexi Li and Tianjiao Li was conducted by Xunnan Li. Both interviewees are...
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Meet The Masters Behind Hong Kong’s Most Extraordinary Bamboo Theatre
For generations, bamboo theatres have been a thread that ties together Hong Kong’s present and...
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China’s Live Performances Go Virtual Amid COVID-19 Epidemic
As entertainment venues remain shut due to the COVID-19 epidemic, China’s live performance...
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Enter Ghost: China’s Growing Obsession With Immersive Plays
Mythic Stories of Fanling Township is the latest production to tap into Chinese theatergoers’...
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“Trace:” Powerful Portrayal of Duty, Sacrifice and Strength Through the Keys of a Piano
The story of familial sacrifice is one that runs through Canadian identity. In Jeff Ho’s Trace, he...
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“The Greatest Event in a Doll’s Life.” A New Work on Marriage in Contemporary China
Even in 2019, surrounded by futuristic skyscrapers, accompanied by mobile apps and English...
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An Interview with Stan Lai on “The Village,” His Artistic Vision, and Hong Kong
US-born, Taiwan-raised theatre director and playwright Stan Lai (Lai Sheng-chuan) has enjoyed...
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“Farewell My Concubine” Is Rekindling Hong Kong’s Interest in Cantonese Opera
Three years before the Xiqu Centre opened as Hong Kong’s first purpose-built center for Chinese...
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Tradition and Modernity in Chinese Theatre: Interview with Shule Li, Director of “Pythonland”
Interview with Shule Li: A Chinese Director of Pythonland (2016) Shule Li is most recently known...
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Anthony Wong in Theatre and Indie Films
It’s a grey April evening in northern Italy, near the Slovenian border, when Hong Kong actor...
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“I Want My Own Sky”: Chinese Migrant Mothers Onstage
The women of Mulan Community Service Center share the stories of their lives as mothers and...
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REGIONAL MANAGING EDITORS FOR POLAND
KASIA LECH
LAUREN DUBOWSKILATEST FROM POLAND
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- Polishness And Its Place in Europe: Polish National Theatre Streams “Kordian” By Juliusz Słowacki.
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- Privileges of the Imagination
- Notes from the Generation After 4 Showcase
- Translating Central and Eastern Europe’s Drama: Interview with Andrei Moskwin
- Dzigan and Shumacher: Before “Cabaret” and “Schindler’s List.” An Interview with Diego Rotman
- The Story Behind “LILIAN”: Interview with Kasia Głowicka
- “Generation After 4”: Connecting Above Borders With The Most Radical Stages Of Polish New Theatre
- “I Don’t Know What It Means To Be An Actor”: Mamadou Góo Bâ In Conversation With Monika Kwaśniewska
- Polish Shakespeare Online: Krzysztof Warlikowski’s “The Tempest”
- Season of Doom in Belarus
- An Interview with Grzegorz Bral Director of Anty-Gone Triptych Part II
- For Our Poland They Go into Battle! “Berek” at The Ester Rachel and Ida Kaminska Jewish Theater, Warsaw
- CORONATHEATRE: Polish Theatre in the Plague Year. Part II: Two Months Later
- CORONATHEATRE: Polish Theatre in the Plague Year. Part I: March and April 2020
- Grzegorz Jarzyna On The Pandemic And Post-Pandemic Theatre
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