Coral Wylie’s Lavender, Hyacinth, Violet, Yew at the Bush Theatre: Tender And Original Debut About The Black Queer Experience
Diaries are dynamite — they hold secrets, and secrets can tear families apart. In Coral Wylie’s...
Read MorePosted by Aleks Sierz | 26th Feb 2025 | London, Playwriting, Review, Theatre and Decolonization, United Kingdom
Diaries are dynamite — they hold secrets, and secrets can tear families apart. In Coral Wylie’s...
Read MorePosted by Aleks Sierz | 21st Feb 2025 | Playwriting, Review, Theatre and Gender, United Kingdom
British people are socially awkward: this explains why we talk about the weather, queue...
Read MorePosted by Alexander Fatouros | 21st Feb 2025 | New York, Transmedia, United States of America
A leading figure in contemporary art, Candida Alvarez is an American painter and studio artist...
Read MorePosted by Aleksandra M. Różalska | 18th Feb 2025 | Poland, Transcultural Collaborations, United States of America
As of 2023, Polish Americans amounted to over eight million people, i.e., 2.46% of the US...
Read MorePosted by Ellen Pearlman | 17th Feb 2025 | Interview, Theatre and AI, Theatre and Science, United States of America
Ellen Pearlman interviewed by Ivo Marais To read PART I of this interview, go to this link. ...
Read MorePosted by Ellen Pearlman | 16th Feb 2025 | Interview, Theatre and AI, Theatre and Science, United States of America
Ellen Pearlman interviewed by Ivo Marais Ivo: These questions are crafted to reflect the...
Read MorePosted by Kuan-Ting Lin | 14th Feb 2025 | Essay, News, Playwriting, Taiwan
Playwriting awards have always been a promised land for playwrights. For emerging storytellers,...
Read MorePosted by Morgan Skolnik | 13th Feb 2025 | Musical Theatre, New York, Review
“The singing is nice, but the staging is atrocious.” So remarked the couple sitting behind me at...
Read MorePosted by Morgan Skolnik | 13th Feb 2025 | New York, Review, Theatre and Politics
Any frequent theater-goer is likely familiar with the “two block rule”, a piece of etiquette that...
Read MorePosted by Jonathan Kalb | 13th Feb 2025 | Review, Theatre and Politics, United States of America
With the United States now governed by swaggering, ignorant bigots spewing xenophobic venom,...
Read MorePosted by Ivanka Apostolova Baskar | 12th Feb 2025 | Greece, Interview, Theatre and Politics
An Interview with Bouboulina Nikaki, Thessaloniki-Athens, Greece – International theatre...
Read MorePosted by Aleks Sierz | 10th Feb 2025 | Adaptation, London, Review, United Kingdom
Marketing is the new real. For many years, in theatre as elsewhere in society, the most important...
Read MorePosted by Jonathan Kalb | 10th Feb 2025 | Directing, Review, United States of America
Beckett Briefs is a great title for a program of short plays by Ireland’s most famously laconic...
Read MorePosted by Lisa Monde | 7th Feb 2025 | Dramaturgy, Interview, Musical Theatre, United States of America
The first part of this interview is available here. Tim Rice has been lucky to work with many...
Read MorePosted by Morgan Skolnik | 7th Feb 2025 | China, Directing, Musical Theatre, United States of America, Worldwide
Jill Ohayon grew up believing there were only two respectable career paths: doctor or lawyer. And...
Read MorePosted by Berna Ataoğlu | 6th Feb 2025 | Canada, Review, Theatre and AI, Theatre and Science
Factory Theatre, renowned for showcasing the latest works from Canada’s alternative and...
Read MorePosted by Ivanka Apostolova Baskar | 5th Feb 2025 | Playwriting, Slovenia, Theatre and Gender
An Interview with playwright, dramaturg and director – Simona Semenic (Ljubljana, Slovenia)...
Read MorePosted by Margaret Rose | 4th Feb 2025 | Italy, Review, Theatre and Gender
Some of the outstanding works by British playwright Lucy Kirkwood are finally being staged in...
Read MorePosted by Berna Ataoğlu | 4th Feb 2025 | Canada, Review, Transcultural Collaborations, United States of America
The Tony Award-winning Musical Come From Away, written by Irene Sankoff and David Hein, premiered...
Read MorePosted by Maria Delgado | 3rd Feb 2025 | France, Review, Theatre and Opera
Peter Sellars isn’t afraid of taking risks. It’s part of his approach to making work, as his 2024...
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The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025
“Trilogia Cadela Força – Capítulo II:… by Jenny Strataki 6th August 2025 
“Aşınma” (“Corrosion”): A… by Seda Ilter 23rd November 2025
The Filmed Performance “Woodland Bird… by Martin Blaszk 9th November 2025 

James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025 
Nearly Finished by Jonathan Kalb 15th November 2025