May 2022 - Page 2 of 2 - The Theatre Times

Daniela Bershan and Others — “OCEAN”

Posted by Bojana Cvejić | 11th May 2022 | Acting, Norway, Review, Theatre and Gender

OCEAN, or the touch of a relational lifeworld Sometimes, a performance, a work of art, reveals its...

Egyptian Playwright Rasha Abd Elmonem: A Passion for Theatre

Posted by May Selim | 10th May 2022 | Egypt, Interview, Playwriting, Theatre and Politics

Rasha Abd Elmonem — a playwright, independent theatre activist, and head of the training program...

The Revolution of Tragedies: An Interview with Romanian Director Andrei Majeri

Posted by Ivanka Apostolova Baskar | 9th May 2022 | Adaptation, Directing, Interview, Romania

During the very agonic and snail-slow, first foggy year under COVID of 2020, I met theater...

“Children of A Clockwork Orange” at the Youth Theatre, Novi Sad

Posted by Borisav Matić | 8th May 2022 | Adaptation, Review, Serbia, Theatre and Politics, Theatre for Young Audiences

Youth Theatre, Novi Sad. Premiered February 27, 2022. A few days ago, a friend who is a teacher...

Dolce & Duce: “The Taming of the Shrew” at the Mossovet Theatre

Posted by Emiliia Dementsova | 7th May 2022 | Adaptation, Review, Russia, Theatre and Politics

In a country at war, theatres continue to work… “(They) are so simple to offer war...

“King Lori – Instagration” at The Theatre ODA

Posted by Florida Kastrati | 6th May 2022 | Devised Theatre, Kosovo, Review, Switzerland, Theatre and Politics

Teatri ODA, Prishtina, 17th March 2022 Two actresses, both speaking in German, start talking about...

As Utpal Dutt’s Play “Barricade” Completes 50 Years, a Look at How the Thespian Spoke Truth to Power

Posted by Ananda Lal | 5th May 2022 | Essay, India, Playwriting, Theatre and Politics

The immediate trigger for the play was political and topical. West Bengal, in 1971, was passing...

“The Brothers Karamazov” at The Zagreb Youth Theater

Posted by Lucija Klarik | 4th May 2022 | Adaptation, Croatia, Review, Theatre and Politics, Theatre and Religion

Zagreb Youth Theater (ZKM), premiered on February 26, 2022 It is almost impossible to begin a...

“Heroes of the Fourth Turning”: How Theatre Can Serve as a Mode of Inquiry into Right Wing Ideas

Posted by Julian Meyrick | 3rd May 2022 | Australia, Playwriting, Review, Theatre and Politics

Why did 46.8% of Americans vote for Donald Trump in the 2020 election? Why did approximately 2,000...

Guide to the Classics: Shakespeare’s “Hamlet,” The Everest of Literature

Posted by Jamie Q. Roberts | 2nd May 2022 | Education, Essay, Transmedia, United Kingdom

Although I’m wary of declaring any literary work to be the greatest ever, Shakespeare’s Hamlet...

“Bloody Difficult Women” at The Riverside Studios

Posted by Aleks Sierz | 2nd May 2022 | London, Playwriting, Review, Theatre and Politics, United Kingdom

Although the current government has blundered through both Brexit and the pandemic, and is now...

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Month: May 2022

Daniela Bershan and Others — “OCEAN”

Egyptian Playwright Rasha Abd Elmonem: A Passion for Theatre

The Revolution of Tragedies: An Interview with Romanian Director Andrei Majeri

“Children of A Clockwork Orange” at the Youth Theatre, Novi Sad

Dolce & Duce: “The Taming of the Shrew” at the Mossovet Theatre

“King Lori – Instagration” at The Theatre ODA

As Utpal Dutt’s Play “Barricade” Completes 50 Years, a Look at How the Thespian Spoke Truth to Power

“The Brothers Karamazov” at The Zagreb Youth Theater

“Heroes of the Fourth Turning”: How Theatre Can Serve as a Mode of Inquiry into Right Wing Ideas

Guide to the Classics: Shakespeare’s “Hamlet,” The Everest of Literature

“Bloody Difficult Women” at The Riverside Studios

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