June 2017 - The Theatre Times

The Holocaust, Sacrificed: Nicholas Tolkein’s “Terezin”

Posted by Jessica Rizzo | 30th Jun 2017 | New York, Review, United States of America

In taking it upon him or herself to depict the horrors of the Holocaust, the artist assumes an...

Review of Sansluxe Dance Performance

Posted by Brendan Irish | 30th Jun 2017 | Canada, Theatre and Dance

Sansluxe, meaning “without luxury” in French, is a collaborative space that Montreal dancers in the city’s renowned gay village can use for the small fee of $40.00 per year. In February, dancers from the Sansluxe collective...

“The Foundation” by Susana Torres Molina: A Mask Hiding Inside Other Masks

Posted by Lola Proaño Gomez | 29th Jun 2017 | Argentina

Susana Torres Molina, with her own dramatic text and very successful direction, is currently...

Kenyan Theatre: The Good, The Bad and the Ugly

Posted by Alexander Nderitu | 28th Jun 2017 | Kenya, Management

Kenya National Theatre (KNT) was initially built as a recreational centre for British soldiers...

“Brodsky/Baryshnikov”: The Art of Poetic Memory

Posted by Irene Kukota | 27th Jun 2017 | Acting, Review, Russia

From the cultural perspective, London is an extremely privileged city: the delights it enjoys are...

“Cast Off All Shame” Brings Female Bhakti Poets to Present Day

Posted by The Theatre Times | 27th Jun 2017 | Adaptation, India, Theatre and Gender

Ulka Mayur’s Cast Off All Shame re-imagines four female bhakti poets in a modern-day avatar to...

Ponyboy Curtis’ “Vs” at Yard Theatre

Posted by Aleks Sierz | 26th Jun 2017 | LGBTQ+ Theatre, Review, United Kingdom

Ponyboy Curtis are a cult phenomenon. Chris Goode’s queer performance collective has won plaudits...

Art And Disabilities In Cambodia: The Story Of Epic Arts

Posted by Ben Valentine | 26th Jun 2017 | Cambodia, Theatre and Disability

Last year, I was introduced to a Youtube parody video of Taylor Swift’s Shake it Off by a few...

“School #3”: The Heartfelt Theatre-Based Documentary About the Kids of War-torn Donbass

Posted by Molly Flynn | 26th Jun 2017 | Documentary Theatre, Theatre and Politics, Ukraine

School #3, a documentary about everyday life in war-struck eastern Ukraine, recently won a Grand...

Earthy Nautanki Meets Classical Baithak in “Bandish 20-20000 Hz”

Posted by Vikram Phukan | 25th Jun 2017 | India, Musical Theatre

Playwright Purva Naresh has a prolific year ahead, starting with the premiere of Bandish 20-20000...

“Voices From Chernobyl” – Adaptation of The Book by Nobel Winning Author Svetlana Alexievich

Posted by The Theatre Times | 25th Jun 2017 | Adaptation, Belarus, Theatre and Politics

These people had already seen what for everyone else is still unknown. I felt like I was recording...

Listening, Balance and Why It’s Everything: Talking Dramaturgy With Rosie Kellagher

Posted by Andrew Edwards | 25th Jun 2017 | Dramaturgy, Interview, Scotland, United Kingdom

A conversation about dramaturgy and New Writing with Rosie Kellagher, Literary Manager for the...

Interview with the Playwright, Director, and Translator of “Sister Mok-Rahn”: How an Authentically Korean Story Crosses Over to New York

Posted by Walter Byongsok Chon | 24th Jun 2017 | Interview, South Korea, Translation

Eunsung Kim is a South Korean playwright and the Director of Dalnara Dongbakkot Company. He was...

Celebrating Theatre: Polish Festivals 2017

Posted by Kasia Lech | 23rd Jun 2017 | Festivals, News, Poland

The 2016/17 theatrical season in Poland is about to end and most of the theatres will close for...

“WAGAS!” or Virgin Labfest 13 at the Cultural Center of the Philippines Opens on 28 June

Posted by Sir Anril Pineda Tiatco | 22nd Jun 2017 | Festivals, Philippines, Playwriting

The Cultural Center of the Philippines (CCP), in partnership with its resident theater company...

Review of Martyna Majok’s “Cost Of Living”

Posted by Jack Wernick | 21st Jun 2017 | New York, Review, Theatre and Disability, United States of America

Cost of Living is a vital new play from Polish-American playwright Martyna Majok. Following an...

“Anatomy of a Suicide” at The Royal Court Theatre

Posted by Aleks Sierz | 20th Jun 2017 | London, Review, United Kingdom

Dorothy Parker’s take on suicide is called “Resumé”: it goes, “Razors pain you; Rivers are damp;...

How Theatre Is Uniting The Youth of a War-torn Ukraine

Posted by Oksana Grytsenko | 20th Jun 2017 | Theatre and Politics, Theatre for Young Audiences, Ukraine

On the front line between Russia and Ukraine, the small city of Popasna is a place deeply divided:...

“Punts” Brings Up Questions Of Disability, Sexual Consent, And Parental Control

Posted by Aleks Sierz | 19th Jun 2017 | London, Review, Theatre and Disability

London fringe theatre is underfunded and under-resourced, but it often produces work that is more...

Being ‘Inappropriate’ The Unspoken Battle of Self-Censorship

Posted by Sondos Shabayek | 19th Jun 2017 | Egypt, Theatre and Gender

I. So when a man pinches my ass or grabs my boob or another tries to rub his dick against my thigh...

Month: June 2017

The Holocaust, Sacrificed: Nicholas Tolkein’s “Terezin”

Review of Sansluxe Dance Performance

“The Foundation” by Susana Torres Molina: A Mask Hiding Inside Other Masks

Kenyan Theatre: The Good, The Bad and the Ugly

“Brodsky/Baryshnikov”: The Art of Poetic Memory

“Cast Off All Shame” Brings Female Bhakti Poets to Present Day

Ponyboy Curtis’ “Vs” at Yard Theatre

Art And Disabilities In Cambodia: The Story Of Epic Arts

“School #3”: The Heartfelt Theatre-Based Documentary About the Kids of War-torn Donbass

Earthy Nautanki Meets Classical Baithak in “Bandish 20-20000 Hz”

“Voices From Chernobyl” – Adaptation of The Book by Nobel Winning Author Svetlana Alexievich

Listening, Balance and Why It’s Everything: Talking Dramaturgy With Rosie Kellagher

Interview with the Playwright, Director, and Translator of “Sister Mok-Rahn”: How an Authentically Korean Story Crosses Over to New York

Celebrating Theatre: Polish Festivals 2017

“WAGAS!” or Virgin Labfest 13 at the Cultural Center of the Philippines Opens on 28 June

Review of Martyna Majok’s “Cost Of Living”

“Anatomy of a Suicide” at The Royal Court Theatre

How Theatre Is Uniting The Youth of a War-torn Ukraine

“Punts” Brings Up Questions Of Disability, Sexual Consent, And Parental Control

Being ‘Inappropriate’ The Unspoken Battle of Self-Censorship

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