The Holocaust, Sacrificed: Nicholas Tolkein’s “Terezin”
In taking it upon him or herself to depict the horrors of the Holocaust, the artist assumes an...
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Month: June 2017
Review of Sansluxe Dance Performance
Sansluxe, meaning “without luxury” in French, is a collaborative space that Montreal dancers in the city’s renowned gay village can use for the small fee of $40.00 per year. In February, dancers from the Sansluxe collective...
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“The Foundation” by Susana Torres Molina: A Mask Hiding Inside Other Masks
Susana Torres Molina, with her own dramatic text and very successful direction, is currently...
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Kenyan Theatre: The Good, The Bad and the Ugly
Kenya National Theatre (KNT) was initially built as a recreational centre for British soldiers...
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“Brodsky/Baryshnikov”: The Art of Poetic Memory
From the cultural perspective, London is an extremely privileged city: the delights it enjoys are...
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“Cast Off All Shame” Brings Female Bhakti Poets to Present Day
Ulka Mayur’s Cast Off All Shame re-imagines four female bhakti poets in a modern-day avatar to...
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Ponyboy Curtis’ “Vs” at Yard Theatre
Ponyboy Curtis are a cult phenomenon. Chris Goode’s queer performance collective has won plaudits...
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Art And Disabilities In Cambodia: The Story Of Epic Arts
Last year, I was introduced to a Youtube parody video of Taylor Swift’s Shake it Off by a few...
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“School #3”: The Heartfelt Theatre-Based Documentary About the Kids of War-torn Donbass
School #3, a documentary about everyday life in war-struck eastern Ukraine, recently won a Grand...
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Earthy Nautanki Meets Classical Baithak in “Bandish 20-20000 Hz”
Playwright Purva Naresh has a prolific year ahead, starting with the premiere of Bandish 20-20000...
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“Voices From Chernobyl” – Adaptation of The Book by Nobel Winning Author Svetlana Alexievich
These people had already seen what for everyone else is still unknown. I felt like I was recording...
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Listening, Balance and Why It’s Everything: Talking Dramaturgy With Rosie Kellagher
A conversation about dramaturgy and New Writing with Rosie Kellagher, Literary Manager for the...
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Interview with the Playwright, Director, and Translator of “Sister Mok-Rahn”: How an Authentically Korean Story Crosses Over to New York
Eunsung Kim is a South Korean playwright and the Director of Dalnara Dongbakkot Company. He was...
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Celebrating Theatre: Polish Festivals 2017
The 2016/17 theatrical season in Poland is about to end and most of the theatres will close for...
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“WAGAS!” or Virgin Labfest 13 at the Cultural Center of the Philippines Opens on 28 June
The Cultural Center of the Philippines (CCP), in partnership with its resident theater company...
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Review of Martyna Majok’s “Cost Of Living”
Cost of Living is a vital new play from Polish-American playwright Martyna Majok. Following an...
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“Anatomy of a Suicide” at The Royal Court Theatre
Dorothy Parker’s take on suicide is called “Resumé”: it goes, “Razors pain you; Rivers are damp;...
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How Theatre Is Uniting The Youth of a War-torn Ukraine
On the front line between Russia and Ukraine, the small city of Popasna is a place deeply divided:...
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“Punts” Brings Up Questions Of Disability, Sexual Consent, And Parental Control
London fringe theatre is underfunded and under-resourced, but it often produces work that is more...
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Being ‘Inappropriate’ The Unspoken Battle of Self-Censorship
I. So when a man pinches my ass or grabs my boob or another tries to rub his dick against my thigh...
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