Mothers of Sewol Ferry Take the Stage: “His and Her Closet”
Construction began on the Gwanghwamun Public Square in 2008 and was completed in July of 2009. The...
Read MorePosted by Lee Kyung-Mi | 9th Apr 2017 | South Korea, Theatre and Politics
Construction began on the Gwanghwamun Public Square in 2008 and was completed in July of 2009. The...
Read MorePosted by Megan De Roover | 8th Apr 2017 | Canada, Theatre and Dance, Theatre for Young Audiences
The National Ballet of Canada’s 2017 world premiere of Pinocchio adds an unusual twist to the...
Read MorePosted by Mary Mazzilli | 8th Apr 2017 | London, Playwriting, Review, United Kingdom
There is something strangely genuine and comically truthful about the European première of David...
Read MorePosted by Francisco Mallmann | 7th Apr 2017 | Brazil, Festivals
The Curitiba Festival, which runs from March 28 through April 9, celebrates its 26th edition in...
Read MorePosted by Baharak Sahami | 7th Apr 2017 | Iran
The Mafia, written and directed by Afrooz Forouzand, invites audiences to a mysteriously...
Read MorePosted by Victoria Eandi | 6th Apr 2017 | Argentina, Theatre and Art
La terquedad is the culmination of the Heptalogy of Hieronymus Bosch — inspired by the...
Read MorePosted by Maria Pia Pagani | 6th Apr 2017 | Italy
Carlo Goldoni (1707–93), the greatest Italian playwright of the eighteenth century, discovered his...
Read MorePosted by Layla Colamartino | 6th Apr 2017 | Italy
The Venice of Goldoni’s The Jealous Women (Le donne gelose) is a city in full decline: the...
Read MorePosted by Amatesiro Dore | 5th Apr 2017 | Nigeria, Theatre and Gender
In present-day Ilè-Ifẹ̀, the birthplace of Yorùbá civilisation, a very urbane monarch, His...
Read MorePosted by Leigh Sykes | 5th Apr 2017 | Adaptation, New Zealand
The concepts of the self and the troll are at the heart of this adaptation by Eli Kent, alongside an investigation of the nature of theatre itself. This is a resolutely post-modern, meta-theatrical play that tackles themes that resonate powerfully with the currently very prevalent culture of narcissism and self-interest.
Read MorePosted by Pooja Makhijani | 5th Apr 2017 | Singapore, Theatre for Young Audiences
This afternoon, we checked out The Little Company’s Hanuman: The Superhero Monkey, a multimedia...
Read MorePosted by Aleks Sierz | 4th Apr 2017 | Review, Theatre and Politics, United Kingdom
Oh dear. The first play explicitly about Brexit is being staged by the National Theatre in a...
Read MorePosted by Mark O'Thomas | 4th Apr 2017 | Documentary Theatre, London, Review, Theatre and Politics, United Kingdom
Much has been written over recent months about the apparent bubble in which we are all now living,...
Read MorePosted by Shirin Sojitrawalla | 4th Apr 2017 | Festivals, Germany
New concept and new management: The Wiesbaden Biennale 2016 set out to search for a European...
Read MorePosted by Elizabeth Schafer | 3rd Apr 2017 | Theatre and Gender, United Kingdom
In 1602, a law student called John Manningham saw Twelfth Night, or What You Will, and wrote what...
Read MorePosted by Nobuko Tanaka | 3rd Apr 2017 | Japan, Musical Theatre
When Adam Cooper launched into the first verse of Singin’ in the Rain on the stage of Tokyu...
Read MorePosted by Diwan Singh Bajeli | 3rd Apr 2017 | Adaptation, India, Puppetry
Anurupa Roy’s much-feted Mahabharata thrilled audience with the innovative use of puppetry in...
Read MorePosted by Aleks Sierz | 3rd Apr 2017 | Adaptation, London, Review, United Kingdom
The rehabilitation of playwright Terence Rattigan has surpassed even the stage when not only are...
Read MorePosted by Rebecca Monks | 2nd Apr 2017 | Festivals, Scotland, Theatre and Politics, United Kingdom
In 1947 Edinburgh was still in a post-war haze. The city was craving colour, culture, and above...
Read MorePosted by Peter Michalzik | 2nd Apr 2017 | Germany, Management
Again and again, especially abroad, the question is put why there is no National Theatre in...
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