Russian Comedies Shake Up UK Theaters
British stages have long been in love with Anton Chekhov and Nikolai Gogol, but there is...
Read MorePosted by Phoebe Taplin | 27th May 2016 | Essay, Playwriting, Russian Theatre Abroad, United Kingdom
British stages have long been in love with Anton Chekhov and Nikolai Gogol, but there is...
Read MorePosted by Marina Shimadina | 25th May 2016 | Acting, News, Russia, Russian Theatre Abroad
Actors Chulpan Khamatova, Yevgeny Mironov, and Yulia Peresild, who won the acclaim of Americans...
Read MorePosted by Nobuko Tanaka | 24th May 2016 | Interview, Japan, Musical Theatre
The first thing Yojiro Ichikawa said when we sat down for our recent interview in a Tokyo...
Read MoreA four-day festival Documenting Ukraine was held last weekend in London bringing together...
Read MorePosted by Alice Jones | 22nd May 2016 | London, Review, United Kingdom
“The question is,” says David Baddiel a short while into the second half of his one-man show about...
Read MorePosted by Lai Del Rosario | 20th May 2016 | Essay, Philippines, Producing, Theatre and Dance
Gabriel Barredo’s Opera, Choreographed by Redha is a show fusing dance and the visual arts. Staged...
Read MorePosted by Kata Karah | 16th May 2016 | Review, Romania
“How many children dream of being Jesus!?” This question echoes throughout Maria...
Read MorePosted by Olenka Hamilton | 16th May 2016 | Adaptation, France, Poland, Review
Polish theatre director Krzysztof Warlikowski’s Phaedra(s) is in London from the Odeon Theatre de...
Read MorePosted by Nobuko Tanaka | 13th May 2016 | Directing, Essay, Japan
Acclaimed stage director Yukio Ninagawa was a titan of global theater but his hand felt...
Read MorePosted by Duška Radosavljević | 11th May 2016 | Dramaturgy, Essay
As part of a series of essays on Ivo van Hove’s dramaturgy, Duska Radosavljevic unpicks the...
Read MorePosted by Paul Kihara Kariuki | 9th May 2016 | Kenya, Review, Theatre and Politics
The playwright explores issues that plague Kenya today and he does that with a compassionate eye...
Read MorePosted by Persis Jade Maravala and Jorge Lopes Ramos - Exeunt Magazine | 2nd May 2016 | Dramaturgy, Essay, Immersive Theatre, Participatory Theatre
As participatory theatre saturates the mainstream, here’s Persis Jade Maravala and Jorge...
Read MorePosted by Huw Griffiths | 2nd May 2016 | Australia, Review, Theatre and Politics
Ayad Akhtar’s Disgraced has arrived in Sydney from America on the back of international...
Read MorePosted by Fides Schopp | 1st May 2016 | Austria, Interview, Playwriting
College of inspiration from playwright Anna Gschnitzer’s desk. Do plays require a different...
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