“Lie Low,” Royal Court
Faye is okay. Or, at least she says she’s okay. But is she really? And, if she really is okay,...
Read MorePosted by Aleks Sierz | 2nd Jun 2024 | London, Review, Theatre and Politics
Faye is okay. Or, at least she says she’s okay. But is she really? And, if she really is okay,...
Read MorePosted by Aleks Sierz | 23rd Oct 2022 | London, Playwriting, Review, United Kingdom
Therapy is inherently dramatic. After all, it’s all about character — and it has the aim of...
Read MorePosted by Aleks Sierz | 26th Apr 2022 | London, Playwriting, Review, Theatre and Politics, United Kingdom
What does it feel like to be British and black? Ryan Calais Cameron has recently emerged as the...
Read MorePosted by Aleks Sierz | 26th Dec 2021 | Review, Theatre and Gender, United Kingdom
After lockdown, the stage monologue saved British theatre. At venue after venue, cash-strapped...
Read MorePosted by Aleks Sierz | 6th Dec 2021 | Review, Theatre and Gender, United Kingdom
After lockdown, the stage monologue saved British theatre. At venue after venue, cash-strapped...
Read MorePosted by Aleks Sierz | 6th Mar 2019 | London, Review, United Kingdom
James Saunders is one of British theatre’s forgotten playwrights. Although he wrote some 70 plays...
Read MorePosted by Aleks Sierz | 22nd May 2018 | London, Review, United Kingdom
Playwright Joe Penhall and the music biz? Well, they have history. When he was writing the book...
Read MorePosted by Aleks Sierz | 10th Apr 2018 | LGBTQ+ Theatre, London, Review, United Kingdom
Every great playwright has to have both an identifiable style and the ability to innovate and...
Read MorePosted by Aleks Sierz | 25th Feb 2018 | London, Review, United Kingdom
Monologues are increasingly popular in contemporary British theatre. In an age of austerity, they...
Read MorePosted by Aleks Sierz | 20th Jun 2017 | London, Review, United Kingdom
Dorothy Parker’s take on suicide is called “Resumé”: it goes, “Razors pain you; Rivers are damp;...
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